Festivals

A couple of months ago, when writing about this year’s World New Music Days in Portugal, i mentioned a talk by Miso Music co-founder Miguel Azguime, given during a colloquium exploring the festival’s theme Thirst for Change. i was deeply struck by the force of Azguime’s words, which i found …

Alongside chamber and electroacoustic music, the 2025 World New Music Days included a diverse range of ensemble and orchestral works.

The 2025 World New Music Days included a healthy amount of electronic and electroacoustic music. Interestingly, most of the best of them were individual submissions, not part of any country’s official selection. i’m not entirely sure what that signifies, but it’s worth noting. All of these works were performed in …

The World New Music Days features a wide variety of instrumental combinations, but the majority of music performed at this year’s festival were chamber works. Some of these fell within a trio of “extraordinário” concerts, each focused on a solo instrument, clarinet, cello and saxophone.

Contemporary music festivals often feel the need to impose a theme on the proceedings, but in the case of this year’s World New Music Days, hosted in Portugal, it was less a theme than a rallying cry. “Thirst for Change” was the phrase hanging over the festival, though as with …

Over the last 10 years, as i’ve been immersing myself ever more deeply into Estonian contemporary music, i’ve tentatively reached a point where i feel i can be more or less confident of what certain composers will or won’t do. Yet i mentioned in Part 1 of the lingering sense …

Two concerts of special interest that happen each year during the Estonian Music Days are those focusing on works by student composers. One of these took place in Tartu, at the Heino Eller Music School, being the final concert of the 2025 Young Composer competition. The requirements on this occasion …

Anniversaries were the focus at this year’s Estonian Music Days festival. The festival’s theme, ‘Sada’ (100), celebrated the centenary of the country’s Composers’ Union. There was therefore something of a retrospective flavour to certain aspects of the festival, revisiting significant works in addition to paying tribute to various notable figures …

Let’s return to one of the great maxims of not just contemporary but all music: size isn’t important. In the case of Norway’s Only Connect festival, its short, 2½-day duration belied the fact that its content was highly concentrated. As such, one event started to blur into the next, into …

One of the most fascinating events at this year’s Musica Nova festival was LOKS – four concerts at once. Not so much a performance as a film juxtaposing and compositing four separate performances, it featured music by four composers whose initials form the title: Lauri Supponen, Oene val Geel, Krists …

Some of the most memorable performances at this year’s Musica Nova festival were of vocal works. The concert given by the Vicentino Singers was powerful not simply because of the abilities of the singers, but due to their size. Being a sextet, the level of intimacy they established was considerable; …

Being the risky, aspiringly cutting edge things that they are, contemporary music festivals always tend to be a bit hit and miss. Very little i heard at Musica Nova 2025 fell into the latter category, but there were a few pieces that slipped through the quality net, being memorable for …

Especially prominent at this year’s Musica Nova festival was the lavish organ in Helsinki’s Musiikkitalo concert hall, unveiled at the start of 2024. The largest modern concert hall organ in the world, its construction was partly made possible by one of Finland’s greatest composers, the late Kaija Saariaho, who in …

i’ve commented before on my general disinterest, and usual disregard, for music festival themes. Musica Nova, Helsinki’s biennial new music extravaganza, opted for ‘together’ as its theme this year, and while that word is sufficiently vague as to have almost no meaning, there were numerous times when that word insinuated …

At the more serious end of the expressive spectrum, there was a lot to take in during my long weekend at this year’s HCMF. It was disappointing to witness, in Ann Cleare‘s TERRARIUM, yet another example of that which has become so prevalent at HCMF in recent years, a multimedia …

Despite the fact that in recent years my general feeling about the Huddersfield Contemporary Music Festival is that it’s become over-familiar and rather predictable – perhaps in need of a fresh start / reboot – my experience during the opening weekend of this year’s HCMF was genuinely unexpected: music that …

As i mentioned previously, the majority of this year’s AFEKT was focused on solo performers – primarily members of Ensemble Musikfabrik – with or without electronics, and these proved to be the strongest events of the festival.

In between the concerts and events at this year’s AFEKT festival, while i was in Tartu i was able to experience the latest venture from Japanese multimedia artist Ryoji Ikeda. Taking place in the spectacular Estonian National Museum, it comprised a solo exhibition and the world première of a collaboration …

While the theoretical theme of this year’s AFEKT festival was music theatre, in practice what was projected strongest was intimacy, in terms of one-to-one communication. This was due to the fact that the festival focused primarily on solo performances given by, among others, members of Ensemble Musikfabrik, and even in …

It was only a few weeks ago that i was exploring music that took its inspirational origin from grandparental reminiscences. Then, the subject matter was dead fishermen, whereas this time it’s … cows. That might not seem a particularly promising starting point for a new song cycle, and yet Laulut …