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Festivals

  • FestivalsPremières

    AFEKT 2025 (Part 1)

    by 5:4 November 5, 2025 • 09:43
    November 5, 2025 • 09:43

    Although this year’s AFEKT festival had a nominal theme, ‘Zwei Gefühle’ – from the eponymous work by Helmut Lachenmann – in practice it was a loose collection of thematic elements, primarily name-checking the 90th birthdays of Lachenmann and Arvo Pärt, and the 100th anniversaries of Berio and Boulez. Nonetheless, the …

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  • Festivals

    MEbU: UMS ‘n JIP, AV_ID (Part 2)

    by 5:4 October 18, 2025 • 09:30
    October 18, 2025 • 09:30

    Day 2 Drinking cappuccino while watching the sun touch the tops of the mountains, i realise what i think are the heavily filtered sounds of doves making it through the triple glazing are actually UMS’s recorder, coming from the rehearsal directly below me. JIP’s voice joins in, gently cooing, and …

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  • Festivals

    MEbU: UMS ‘n JIP, AV_ID (Part 1)

    by 5:4 October 16, 2025 • 09:07
    October 16, 2025 • 09:07

    Prologue Tewkesbury to Birmingham to Geneva, then on one of the most beautiful train journeys i’ve known, round Lake Geneva and along the Rhône valley into the mountains. Going beyond Leuk, where i’ve always disembarked on my trips to Switzerland, feels weird and wrong. i acknowledge the Schloss on one …

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  • FestivalsPremières

    Warsaw Autumn 2025 (Part 2)

    by 5:4 October 13, 2025 • 11:54
    October 13, 2025 • 11:54

    Let’s talk about abstraction.

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  • FestivalsPremières

    Warsaw Autumn 2025 (Part 1)

    by 5:4 October 7, 2025 • 06:00
    October 7, 2025 • 06:00

    This year’s Warsaw Autumn festival didn’t so much have a theme as a keyword: “clearing”. Referencing Heidegger’s use of the term (lichtung), the idea was that it “symbolises a new stage, a new opening and chance, in both the social and individual dimension. The word carries the hope that we wish to …

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  • Festivals

    Miguel Azguime – Listening to the Earth

    by 5:4 August 20, 2025 • 10:03
    August 20, 2025 • 10:03

    A couple of months ago, when writing about this year’s World New Music Days in Portugal, i mentioned a talk by Miso Music co-founder Miguel Azguime, given during a colloquium exploring the festival’s theme Thirst for Change. i was deeply struck by the force of Azguime’s words, which i found …

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  • FestivalsPremières

    World New Music Days 2025, Portugal (Part 4)

    by 5:4 July 10, 2025 • 10:49
    July 10, 2025 • 10:49

    Alongside chamber and electroacoustic music, the 2025 World New Music Days included a diverse range of ensemble and orchestral works.

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  • Festivals

    World New Music Days 2025, Portugal (Part 3)

    by 5:4 July 4, 2025 • 09:19
    July 4, 2025 • 09:19

    The 2025 World New Music Days included a healthy amount of electronic and electroacoustic music. Interestingly, most of the best of them were individual submissions, not part of any country’s official selection. i’m not entirely sure what that signifies, but it’s worth noting. All of these works were performed in …

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  • FestivalsPremières

    World New Music Days 2025, Portugal (Part 2)

    by 5:4 June 24, 2025 • 15:11
    June 24, 2025 • 15:11

    The World New Music Days features a wide variety of instrumental combinations, but the majority of music performed at this year’s festival were chamber works. Some of these fell within a trio of “extraordinário” concerts, each focused on a solo instrument, clarinet, cello and saxophone.

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  • FestivalsPremières

    World New Music Days 2025, Portugal (Part 1)

    by 5:4 June 15, 2025 • 08:15
    June 15, 2025 • 08:15

    Contemporary music festivals often feel the need to impose a theme on the proceedings, but in the case of this year’s World New Music Days, hosted in Portugal, it was less a theme than a rallying cry. “Thirst for Change” was the phrase hanging over the festival, though as with …

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  • FestivalsPremières

    Estonian Music Days 2025 (Part 3)

    by 5:4 May 22, 2025 • 09:14
    May 22, 2025 • 09:14

    Over the last 10 years, as i’ve been immersing myself ever more deeply into Estonian contemporary music, i’ve tentatively reached a point where i feel i can be more or less confident of what certain composers will or won’t do. Yet i mentioned in Part 1 of the lingering sense …

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  • FestivalsPremières

    Estonian Music Days 2025 (Part 2)

    by 5:4 May 17, 2025 • 10:01
    May 17, 2025 • 10:01

    Two concerts of special interest that happen each year during the Estonian Music Days are those focusing on works by student composers. One of these took place in Tartu, at the Heino Eller Music School, being the final concert of the 2025 Young Composer competition. The requirements on this occasion …

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  • FestivalsPremières

    Estonian Music Days 2025 (Part 1)

    by 5:4 May 12, 2025 • 16:17
    May 12, 2025 • 16:17

    Anniversaries were the focus at this year’s Estonian Music Days festival. The festival’s theme, ‘Sada’ (100), celebrated the centenary of the country’s Composers’ Union. There was therefore something of a retrospective flavour to certain aspects of the festival, revisiting significant works in addition to paying tribute to various notable figures …

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  • FestivalsPremières

    Only Connect 2025

    by 5:4 April 22, 2025 • 14:30
    April 22, 2025 • 14:30

    Let’s return to one of the great maxims of not just contemporary but all music: size isn’t important. In the case of Norway’s Only Connect festival, its short, 2½-day duration belied the fact that its content was highly concentrated. As such, one event started to blur into the next, into …

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  • FestivalsPremières

    Musica Nova 2025 (Part 5)

    by 5:4 March 28, 2025 • 12:06
    March 28, 2025 • 12:06

    One of the most fascinating events at this year’s Musica Nova festival was LOKS – four concerts at once. Not so much a performance as a film juxtaposing and compositing four separate performances, it featured music by four composers whose initials form the title: Lauri Supponen, Oene val Geel, Krists …

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  • FestivalsPremières

    Musica Nova 2025 (Part 4)

    by 5:4 March 22, 2025 • 09:26
    March 22, 2025 • 09:26

    Some of the most memorable performances at this year’s Musica Nova festival were of vocal works. The concert given by the Vicentino Singers was powerful not simply because of the abilities of the singers, but due to their size. Being a sextet, the level of intimacy they established was considerable; …

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  • FestivalsPremières

    Musica Nova 2025 (Part 3)

    by 5:4 March 13, 2025 • 12:32
    March 13, 2025 • 12:32

    Being the risky, aspiringly cutting edge things that they are, contemporary music festivals always tend to be a bit hit and miss. Very little i heard at Musica Nova 2025 fell into the latter category, but there were a few pieces that slipped through the quality net, being memorable for …

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  • FestivalsPremières

    Musica Nova 2025 (Part 2)

    by 5:4 March 7, 2025 • 10:21
    March 7, 2025 • 10:21

    Especially prominent at this year’s Musica Nova festival was the lavish organ in Helsinki’s Musiikkitalo concert hall, unveiled at the start of 2024. The largest modern concert hall organ in the world, its construction was partly made possible by one of Finland’s greatest composers, the late Kaija Saariaho, who in …

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  • FestivalsPremières

    Musica Nova 2025 (Part 1)

    by 5:4 February 26, 2025 • 10:08
    February 26, 2025 • 10:08

    i’ve commented before on my general disinterest, and usual disregard, for music festival themes. Musica Nova, Helsinki’s biennial new music extravaganza, opted for ‘together’ as its theme this year, and while that word is sufficiently vague as to have almost no meaning, there were numerous times when that word insinuated …

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  • FestivalsPremières

    HCMF 2024 (Part 2)

    by 5:4 November 30, 2024 • 09:19
    November 30, 2024 • 09:19

    At the more serious end of the expressive spectrum, there was a lot to take in during my long weekend at this year’s HCMF. It was disappointing to witness, in Ann Cleare‘s TERRARIUM, yet another example of that which has become so prevalent at HCMF in recent years, a multimedia …

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Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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5:4
  • About
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    • The Proms premières – Poll results
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