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    Dark Music Days 2022 (Part 2)

    by 5:4 March 14, 2022 • 19:34
    March 14, 2022 • 19:34

    As i mentioned previously, the majority of the music i heard at this year’s Dark Music Days fell somewhere between emotional allusion and full-on abstraction. In many ways it was the most abstract music that made some of the strongest and most long-lasting impressions, primarily because of the composers’ focus …

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Warsaw Autumn 2025 Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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