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Estonian Music Days

  • FestivalsPremières

    Estonian Music Days 2023 (Part 3)

    by 5:4 May 30, 2023 • 09:27
    May 30, 2023 • 09:27

    Despite the quantity of abstract music featured at this year’s Estonian Music Days, it wasn’t surprising – with the theme “soul” looming over the Tallinn part of the festival – that many composers avoided abstraction and sought to create more tangible, referential and / or emotionally-charged music. Indeed, this was…

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  • FestivalsPremières

    Estonian Music Days 2023 (Part 2)

    by 5:4 May 23, 2023 • 11:53
    May 23, 2023 • 11:53

    Surely the most completely abstract music i heard at this year’s Estonian Music Days was Blue Moon Station by Latvian composer Alise Rancāne. The piece involved all six members of the Ensemble of the Estonian Electronic Music Society (EMA) huddled around a computer keyboard playing a video game projected on…

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  • FestivalsPremières

    Estonian Music Days 2023 (Part 1)

    by 5:4 May 20, 2023 • 15:19
    May 20, 2023 • 15:19

    In previous accounts of my annual pilgrimage to Eesti Muusika Päevad, the Estonian Music Days, i’ve tended to remark on the festival’s insistence on a theme, usually in regard to how innocuous or irrelevant it seemed in relation to the actual concerts. This year, the Tallinn portion of the festival…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 4)

    by 5:4 May 9, 2022 • 09:52
    May 9, 2022 • 09:52

    A disconcerting aspect of some of the pieces performed at this year’s Estonian Music Days was the extent to which their material, language and / or behaviour was obviously begged, borrowed and / or stolen from heavily-worn musical conventions, to the point of outright cliché. This was especially apparent in…

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  • FestivalsPremières

    Estonian Music Days 2022 (Interlude / Part 3)

    by 5:4 May 5, 2022 • 05:00
    May 5, 2022 • 05:00

    In addition to conventional acoustic and electronic music, there was the opportunity to explore a variety of audiovisual work during my time in Tallinn. This was primarily due to COMMUTE, a fringe festival run by the Estonian Academy of Music and Theatre, with late evening concerts each day, after the…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 2)

    by 5:4 May 2, 2022 • 05:00
    May 2, 2022 • 05:00

    The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 1)

    by 5:4 April 28, 2022 • 16:51
    April 28, 2022 • 16:51

    Even before my plane touched down at Tallinn airport, i knew that this year’s Estonian Music Days was going to feel a bit different. Last year marked the 20th anniversary of Estonia’s independence from Soviet occupation, and one of the effects of Russia’s ongoing war against Ukraine is that Tallinn…

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 2)

    by 5:4 June 2, 2021 • 05:00
    June 2, 2021 • 05:00

    Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting…

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 1)

    by 5:4 May 30, 2021 • 05:00
    May 30, 2021 • 05:00

    Does the phrase “Baltic music” mean anything? Is it something that has a discrete, tangible identity? i found myself considering this question during pretty much every concert of this year’s first ever Baltic Music Days. A festival that’s been in the offing for a number of years, bringing together composers…

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  • ConcertsFestivalsPremières

    Estonian Music Days 2020 (Part 2)

    by 5:4 September 30, 2020 • 05:00
    September 30, 2020 • 05:00

    In addition to purely electronic music, this year’s Estonian Music Days once again featured many works melding instrumental and electronic elements. The most potent collision of old and new technology came at the Arvo Pärt Centre on Saturday afternoon, where Anna-Liisa Eller’s kannel (the traditional Estonian instrument, a form of…

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  • ConcertsFestivalsPremières

    Estonian Music Days 2020 (Part 1)

    by 5:4 September 25, 2020 • 14:11
    September 25, 2020 • 14:11

    The last couple of years have been unusual for the Estonian Music Days. In 2019 the festival was bloated beyond all recognition and sense due to its assimilation into the World Music Days, making for a horribly hectic and exhausting experience. In 2020, for reasons pandemical, it was the opposite,…

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  • ConcertsFestivalsPremières

    World Music Days 2019, Estonia (Part 4)

    by 5:4 May 20, 2019 • 15:42
    May 20, 2019 • 15:42

    Aside from the chamber concerts, by far the most dominant force at this year’s World Music Days in Estonia was choral music. i’ve written before of my admiration of Estonia’s choral tradition – both the standard of its choirs (including, in my view, two of the very best in the…

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  • ConcertsFestivalsPremières

    World Music Days 2019, Estonia (Part 3)

    by 5:4 May 17, 2019 • 13:08
    May 17, 2019 • 13:08

    This year’s World Music Days featured a substantial amount of music involving electronics. That being said, relatively few of the fixed media works made as strong an impression as those combining electronics with acoustic instruments. A notable exception was Marianna Liik‘s Mets [Forest], one of several pieces during the festival…

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  • ConcertsFestivalsPremières

    World Music Days 2019, Estonia (Part 2)

    by 5:4 May 15, 2019 • 15:11
    May 15, 2019 • 15:11

    The one opportunity to hear music for full orchestra at this year’s World Music Days took place on Friday evening at the Estonia Concert Hall, performed by the Estonian National Symphony Orchestra conducted by Olari Elts. The Estonian Music Days’ tradition of recent years has been to begin the Friday…

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  • ConcertsFestivalsPremières

    World Music Days 2019, Estonia (Part 1)

    by 5:4 May 13, 2019 • 18:18
    May 13, 2019 • 18:18

    At the northernmost edge of Tallinn, looking out over the Baltic Sea towards Finland, is a huge concrete edifice called the Linnahall. Built during the Soviet occupation, it was constructed as part of the USSR’s hosting of the 1980 Olympic Games, as a coastal hub for the boating events. It’s…

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  • ConcertsFestivalsPremières

    Estonian Music Days 2018 (Part 3)

    by 5:4 April 30, 2018 • 09:50
    April 30, 2018 • 09:50

    Over the last few years, i’ve been repeatedly impressed – no, flabbergasted – at the ingenuity, imagination and beauty that seem to typify Estonian choral music as well as distinguish it from pretty much everywhere else. It’s by no means the most experimental music to come out of the country,…

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  • ConcertsFestivalsPremières

    Estonian Music Days 2018 (Part 2)

    by 5:4 April 26, 2018 • 15:16
    April 26, 2018 • 15:16

    One of the defining features of the Estonian Music Days is its openness to including decidedly unconventional concert situations. Last year’s Obscure Avenues, a two-hour experience during which we were blindfolded and led around to various performance spaces, remains among the most radical and memorable musical encounters i’ve ever experienced,…

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  • ConcertsFestivalsPremières

    Estonian Music Days 2018 (Part 1)

    by 5:4 April 24, 2018 • 13:32
    April 24, 2018 • 13:32

    A few days ago i returned from spending a week in the city of Tallinn, experiencing most of this year’s Eesti Muusika Päevad, the Estonian Music Days, the country’s most important festival devoted to contemporary music. In previous years i’ve commented on the perception that what one hears during EMD often…

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  • PremièresThematic series

    Estonia in Focus weekend: Galina Grigorjeva – Vespers (World Première)

    by 5:4 June 25, 2017 • 05:00
    June 25, 2017 • 05:00

    A major new choral work was premièred at this year’s Estonian Music Days in Tallinn, by one of the country’s most celebrated composers. Born in the Ukraine, Galina Grigorjeva relocated to Estonia 25 years ago and has since become essentially adopted by the country as one of its own. On…

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  • Thematic series

    Estonia in Focus weekend: Cyrillus Kreek – Psalms 121, 137, 141

    by 5:4 June 24, 2017 • 05:00
    June 24, 2017 • 05:00

    Estonia’s highly imaginative approach to choral music is not in any way a recent development. The country’s most dominant figure of the earlier twentieth century is Cyrillus Kreek (1889–1962), who in addition to being a composer was also a choral conductor and a collector of both Estonian and Swedish folk music.…

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5:4
  • About
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