James Tenney

Larger-scale works featured in several Dark Music Days events. One of the toughest to engage with was given by Caput Ensemble, a concert marred by the yawningly awful Polo by Simon Mawhinney, a quarter of an hour’s worth of relentless, faceless, arbitrary blarney. Veronique Vaka‘s Holos was marginally more interesting,…

A very Happy New Year to you all! As always, i want to begin 2021 by thanking all of you around the world who have followed and supported 5:4 during the last year, most especially and above all to my growing number of esteemed and beloved Patrons. i don’t think…

i’m sure i’m not alone in being somewhat impatient to see the back of 2020. It’s been a horribly testing and demoralising year, and of course there’ll be some way to go into 2021 (and likely beyond) before life starts to settle into whatever version of ‘normal’ eventually prevails. But…