Lent 2023

None of Galina Ustvolskaya‘s five symphonies are particularly well-known. That’s also true for most of her output, but it’s particularly true of the symphonies, which are rarely performed and even more rarely recorded. Her First Symphony is perhaps the most obscure of them all. Composed in 1955, the work is…

Gloria Coates‘ Symphony No. 7 was composed from 1989 to 1990, a highly politically-charged time for those (as Coates was) living in Germany. The Berlin Wall would subsequently fall (on 9 November 1989), but while this promised to usher in a new era of peace, the profound uncertainty that suffused…

Do you now see the possibility of several symphonies? Yes, yes, I do, which just five years ago I would not have seen at all. But I do now feel … that it’s perhaps not too far-fetched to think that possibly I might be able to develop that. Paul Griffiths,…

Laurence Crane‘s music often sounds like a cross between a game and a puzzle, and that’s certainly the case with the next work i’m featuring in this year’s Lent Series, his Chamber Symphony No. 2 “The Australian”. That subtitle can be safely ignored; Crane has spoken of enjoying combining abstract…

The idea of a symphony can tend to suggest grandiosity and an epic sense of scale or significance, exemplified by those of Bruckner, Mahler, Scriabin and Pettersson, among others. But it needn’t be anything of the kind, working just as well at the opposite end of the continuum, greatly reduced…

For this year’s Lent Series i’m turning to a subject that’s one of my personal passions: symphonies. It’s interesting to hear how the word ‘symphony’ has, over time, been defined, consolidated, expanded, elevated, deconstructed, redefined, and along the way become sufficiently loaded that many contemporary composers choose to avoid both…