A VERY HAPPY NEW YEAR TO YOU ALL! i want to begin 2024 by saying a huge thank you to all of you who have supported 5:4 during the last 12 months, most of all to my fantastic collection of Patrons. If you weren’t already aware, 5:4 is a literal …
Tag:
Pierre Alexandre Tremblay
-
-
It’s difficult to compare years, but 2023, it seems to me, has been a better than usual year for highly diverse, vividly imaginative music-making. Perhaps that explains why this year’s list has felt more difficult than usual to compile – but here they are, the best of them, all of …
-
Huddersfield Contemporary Music Festival. Of those four words, i’d hazard to suggest that the most important is the third one, music. What exactly constitutes ‘music’ is a good question, and one of HCMF’s strengths is the way it’s prepared to challenge and probe what that word connotes and how it …
-
Considering the lengths to which curators and ensembles often go to create deep and meaningful connections between the works featured in a concert, yesterday’s performance by Luxembourg ensemble United Instruments of Lucilin was a refreshing break from the norm. The only thing the four pieces had in common was their …
-
ConcertsFestivalsPremières
HCMF 2016: Seth Parker Woods, Ensemble Resonanz + Elliott Sharp + Gareth Davis
by 5:4Friday at HCMF began with a recital by rising star cellist Seth Parker Woods. I’ve had the opportunity to see Woods play once before (at HCMF 2014) and the experience was a highly impressive one, so I was very much looking forward to seeing him in action again. He did not …
-
i don’t know which felt more strange, being in Huddersfield for a music festival in February (rather than November), or the fact that, somehow, for two decades the university’s Electric Spring festival has entirely passed me by. Better late than never, i suppose, especially as this year’s festival, which took place …
-
This evening’s (rather poorly attended) concert given by the Bozzini Quartet featured a trio of works by composers from their native Canada. Of the three, Martin Arnold‘s Vault was the most straightforward, the quartet for the most part enunciating a single melodic line as a single musical body, united by material, …