A recent new work permeated by the subject of death is Trauermärsche for chamber orchestra, by French composer Philippe Manoury. By tapping into the funeral march idea, Manoury sought to engage with what he has described as its dual character, “at the same time something tragic but also something derisory … and macabre”, elaborating how the use of the plural in the title—literally ‘Funeral Marches’—is “because it will be like several funeral marches mixed together so one can imagine that there are several orchestras, one appearing when another disappears, and then the first one comes back, etc.” Although he cites influences from both Mahler (the famous ‘Frere Jacques’ music in the third movement of his Symphony No. 1) and Webern, the music of Trauermärsche is most concerned with alluding to practices of processional, with the funereal processions of New Orleans especially in mind. Read more
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