Simon, this year I’m going to be doing the rounds of much of the “free” stuff on Monday afternoon before settling in for the Lim/Cassidy talk and concert the following day. Maybe our paths will cross…
Many thanks for posting the Pinnock piece, which for me too was a highlight of the Uttley concert. What I’d really love to hear again is that Fender Rhodes piece, but I don’t think it ever found its way into the R3 coverage.
i really wish they had broadcast the Michael Cutting piece, although i can’t help feeling something would valuable would have been lost without the visual element… Looking forward to hearing what he’s come up with for this year!
[…] in the form of colours and carefully-arranged lines and grids. As in Pinnock’s earlier piece Lines and Spaces, this becomes the basis for music where ostensibly great simplicity belies quantities of underlying […]
Simon, this year I’m going to be doing the rounds of much of the “free” stuff on Monday afternoon before settling in for the Lim/Cassidy talk and concert the following day. Maybe our paths will cross…
Many thanks for posting the Pinnock piece, which for me too was a highlight of the Uttley concert. What I’d really love to hear again is that Fender Rhodes piece, but I don’t think it ever found its way into the R3 coverage.
i really wish they had broadcast the Michael Cutting piece, although i can’t help feeling something would valuable would have been lost without the visual element… Looking forward to hearing what he’s come up with for this year!
Looking forward to seeing you again Simon. Arriving Monday 21st
Indeed – i’ll be looking out for you 🙂
[…] in the form of colours and carefully-arranged lines and grids. As in Pinnock’s earlier piece Lines and Spaces, this becomes the basis for music where ostensibly great simplicity belies quantities of underlying […]