Perhaps it’s the brass connection, but what this piece reminds me most of is the Oliveros/Dempster/Panaiotis Deep Listening album. Nothing electro about the acoustic on that, of course, reliant as it was on the Fort Worden Cistern’s 45-second reverb, but there’s the same sense of not being able to tell at any given moment whether you’re listening to the original sound, the echo of that sound or the reaction to that echo.
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Perhaps it’s the brass connection, but what this piece reminds me most of is the Oliveros/Dempster/Panaiotis Deep Listening album. Nothing electro about the acoustic on that, of course, reliant as it was on the Fort Worden Cistern’s 45-second reverb, but there’s the same sense of not being able to tell at any given moment whether you’re listening to the original sound, the echo of that sound or the reaction to that echo.