Tension, climax, release. That’s not simply familiar but one of the most fundamental progressions we encounter in all forms of art. So it’s been fascinating to hear how Lithuanian composer Justina Repečkaitė sidesteps and reconfigures this most basic dramatic contour repeatedly on the first album devoted to her music, Tapestries. …
electroacoustic
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There’s a striking image i vividly recall from when i first watched David Attenborough’s The Private Life of Plants. It featured time-lapse photography, focusing on a small, seemingly insignificant tendril lying on the ground. Through this simple act of televisual time dilation, we were able to cross the relativistic divide …
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It’s been a curious experience attending the Borealis festival in Bergen in recent years. i first went in 2019, and have been on a handful of occasions since, each time recalibrating my understanding of, and relationship with, everything that Borealis has tried to do and be. This year’s was of …
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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