Akira Nishimura – Bird Heterophony (UK Première)

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Chris L

Regardless of differences in compositional technique, the overall impression this piece gives to these ears is very similar to that provided by a lot of Xenakis…which, of course, is only a good thing!

Stephen Long

Thanks for your insightful comments on Akira Nishimura’s varied use of heterophony concepts in his orchestral and chamber works. Although he has an international reputation, there should be greater recognition in the West of his deserved place among the top-tier contemporary composers. The production of at least 36 profile CDs on the Camerata and Fontec labels (in addition to numerous discs that prominently feature his work) is an indication of the reverence in which he is held in Japan. Each of these discs reveals different facets of his originality and mastery of craft. Specifically, in my view, the imagination he displays with kaleidoscopic timbres and nuanced textures in his orchestral works places him in the company of Saariaho, Murail, Lutoslawski, Lindberg, Tuur, and Carter.
Although most of the CDs are not readily available in the West (except, in a few cases, in the Amazon Marketplace), the Camerata discs are still available for mail order from HMV Japan (they have an English language site) and Amazon Japan. However, COVID restrictions on international shipments to the US are in place for the time being with HMV.
Another striking Nishimura orchestral piece inspired by birds is “Birds in Light,” composed in 1994, the year after “Birds Heterophony.” It was recorded on Fontec, along with his Second Symphony and “Vision in Twilight.” Unfortunately, this magnificent disc (volume 5 in Fontec’s Nishimura series) is OP (even in Japan) but well worth tracking down.

Stephen Long

Simon, thanks for your feedback and, again, for your wonderful Nishimura analysis. I have some additional information about Nishimura that may interest you. If you feel comfortable about providing your email address, I can recommend pieces for listening in easy to access venues. I can also reveal information about my special Nishimura “project.” You should already have my e-mail address. Thanks. Stephen

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