Almost everything i’ve explored hitherto from the 2026 ISCM World New Music Days has been music submitted by sections and individuals to be considered for the festival. But one of the great advantages of WNMD – and there are many – is the way it provides an opportunity for the …
orchestra
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Tension, climax, release. That’s not simply familiar but one of the most fundamental progressions we encounter in all forms of art. So it’s been fascinating to hear how Lithuanian composer Justina Repečkaitė sidesteps and reconfigures this most basic dramatic contour repeatedly on the first album devoted to her music, Tapestries. …
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £10 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
