orchestra

One of the most fascinating events at this year’s Musica Nova festival was LOKS – four concerts at once. Not so much a performance as a film juxtaposing and compositing four separate performances, it featured music by four composers whose initials form the title: Lauri Supponen, Oene val Geel, Krists …

Especially prominent at this year’s Musica Nova festival was the lavish organ in Helsinki’s Musiikkitalo concert hall, unveiled at the start of 2024. The largest modern concert hall organ in the world, its construction was partly made possible by one of Finland’s greatest composers, the late Kaija Saariaho, who in …

Two years ago i wrote that a composer i’d been “trying to get the measure of” was Grażyna Bacewicz. Since then, CPO have helped that process with a series of albums exploring her orchestral music, the latest of which, Complete Orchestral Works Vol. 3, has recently been released. It’s clear …

Continuing my short survey of recent portrait discs, a different kind of surprise came from Midnight Sun Variations, a collection of orchestral works by Finnish composer Outi Tarkiainen. The world première of Midnight Sun Variations, performed at the 2019 Proms by the BBC Philharmonic conducted by John Storgårds, left me …

And finally we reach the zenith, the apex of this year’s best albums, each and every one of them a bewilderment of shock, awe and wonder.

It was 16 years ago that my first Best Albums of the Year list was published, and for most of the years since there have been 40 entries on the list. However, there were many times when recommending 40 as genuinely ‘best’ felt like a struggle, and a few years …

HAPPY HOLIDAYS! Behind the final door on this year’s Advent Calendar is a short but exciting work by one of England’s more curiously neglected composers, Hugh Wood. The Variations for Orchestra began life 30 years ago, apparently composed over a three-year period from 1994 to 1997. That seems a surprisingly …

As i’ve often remarked here (usually in connection with yet another Proms commission) i’m not a fan of contemporary works that seek to ‘respond’ to earlier music. It’s a lazy commissioning approach, usually producing dismal musical results, with the only successes emanating from composers who aren’t particularly fussed about how …

There are times when it can feel like all contemporary music is split down the middle, with half the composers concerned with frantic activity and movement, and the other half obsessed with the opposite, stillness and immobility. That’s an exaggeration, but there’s more than a little truth to it, and …

Behind today’s Advent Calendar door is a quick bit of fun from British composer Sasha Scott. In 2019, Scott won the Senior category in the BBC Young Composer of the Year Competition with a four-minute orchestral-electronic hybrid titled Humans May Not Apply. It’s a work that both pits the acoustic …

The piece lurking behind today’s Advent Calendar door is something of an amuse-bouche by Austrian composer Georg Friedrich Haas, titled ein kleines symphonisches Gedicht [a little symphonic poem]. Composed in 2017, its 7-minute duration is occupied with one of Haas’ typically focused behavioural-timbral explorations, looking at the way both transformation …

i’ve heard many wonderful things during my numerous trips to Estonia during the last decade, but today’s Advent Calendar piece is one of the most memorable of them all. That may seem strange considering it’s done and dusted in under four minutes, but its brevity is one of the prime …

It might seem a bit seasonally early, but the title of today’s Advent Calendar piece is, i suspect, to be taken figuratively. A Forest Reawakens by Electra Perivolaris is a short but potent orchestral work that articulates what one could read as the beginnings of a process of rebirth or …

It’s 1 December, and the festive season is distantly hoving into view, the perfect time for another 5:4 Advent Calendar, featuring 25 days of sonic wonders, curiosities, trifles and delights. The first of these baubles is Dance from a Distance, a miniature orchestral bit of fun from one of my …

While the theoretical theme of this year’s AFEKT festival was music theatre, in practice what was projected strongest was intimacy, in terms of one-to-one communication. This was due to the fact that the festival focused primarily on solo performances given by, among others, members of Ensemble Musikfabrik, and even in …

i recently had cause to remark on the pro / con nature of portrait discs, and here we are again, with a new album of music by Norwegian composer Rolf Wallin. i’ve often been impressed by Wallin’s work, never more so than in his large scale collaborative work The Otheroom, …

i want to pay a brief tribute to Finnish conductor and composer Leif Segerstam, who died yesterday at the age of 80. As i noted a few years ago, i’m not a conductor fanboy, but Segerstam was one of the few who consistently got me excited every time he was …

It was only a few weeks ago that i was exploring music that took its inspirational origin from grandparental reminiscences. Then, the subject matter was dead fishermen, whereas this time it’s … cows. That might not seem a particularly promising starting point for a new song cycle, and yet Laulut …

Thomas Adès has always tended to be as qualitatively erratic as he is consistently overhyped, but his new orchestral piece Aquifer finds him back on the right side of accomplishment. The title refers to a subterranean stratum through which water can flow, and it’s a superb descriptor for both the …

Wow, what a shitshow. Something occurred to me, while spending time with the first cluster of noxious specimens being given world, European or UK premières at this year’s Proms. In contrast to the notion of lying by omission, conveying a falsehood via things we don’t say, i realised that to …