This isn’t the first time Adès has ended that trademark ever-restless tonal circling of his with a big fat major-key splurge: I’m thinking in particular of Tevot (perhaps the closest thing I’ve heard to this piece in terms if it’s behaviour more generally). Whether it ever works convincingly, that remains the question…
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This isn’t the first time Adès has ended that trademark ever-restless tonal circling of his with a big fat major-key splurge: I’m thinking in particular of Tevot (perhaps the closest thing I’ve heard to this piece in terms if it’s behaviour more generally). Whether it ever works convincingly, that remains the question…
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