Advent Calendar

Today’s Advent Calendar piece is a short orchestral work by Deborah Pritchard that takes its inspiration, and its title, from a painting by J. M. W. Turner. The Angel Standing in the Sun dates from relatively late in Turner’s life, being exhibited in 1846 (he died five years later). It’s …

Behind today’s Advent Calendar door is one of the most stunning choral works i’ve heard in the last few years. i was fortunate enough to experience the first performance of Helena Tulve’s Nächtliche Gesänge [Night Songs] at the World Music Days in 2019. The two songs use texts from German …

i said at the start of this Advent Calendar that many of the pieces i’d be featuring would be miniatures, but in the case of the piece behind today’s door, technically a complete performance would last 24 hours – or, indeed, could continue endlessly. Renate Fuczik by Peter Ablinger is …

Today’s Advent Calendar work is one of Webernesque miniature proportions. Composed in 1976, Howard Skempton‘s One for the Road for solo accordion is a typically strange piece, full of paradoxes. In a not dissimilar way to a more recent work like Oculus, Skempton’s material is obsessive, cycling around a single …

Though at first glance the music of Aphex Twin might not seem a likely subject for instrumental arrangement, the fact is that his work has attracted this treatment on a number of occasions, usually with surprising success. As far back as 1995, Philip Glass created an outstanding orchestration of the …

Behind today’s Advent Calendar door is a short electroacoustic work by Bethan Morgan-Williams. The unusual word in the work’s title originates from one of my favourite linguistical sources, the wonderful Dictionary of Obscure Sorrows, where ‘kenopsia’ (presumably a blending of the Greek words ‘kenosis’, indicating an act of emptying or …

Today’s Advent Calendar offering is an unusual setting of the familiar evening canticles by British composer Judith Bingham. The Anglican service of Choral Evensong is one of the driest and dustiest places for new music to exist in, but whereas the majority of new works written for it fully conform …

Tipping my hat to the fact that this time of year still has, for some people, a connection to things religious, behind today’s Advent Calendar door is a piece from surely the largest cycle of liturgical music ever composed. There are some composers whose music i could write about practically …

Today’s Advent Calendar piece is a beautiful curiosity from 2014 by British composer Max de Wardener. This particular piece, which is untitled, came as the last of three new works by de Wardener performed live at the Southbank Centre in 2014, the first of which was also untitled, while the …

Today is Finnish Independence Day – Hyvää Itsenäisyyspäivää! – and to mark the occasion, behind today’s Advent Calendar door is a short work by Pekka Jalkanen. Kuulen lumen tulon (I hear snow coming) is the first part of Jalkanen’s 2017 triptych November, the three movements of which are for one, two …

Today’s Advent Calendar piece is a short work for string quintet by Bulgarian composer Dobrinka Tabakova. Composed in 2014, Organum Light takes its inspiration, as the name suggests, from mediæval chant. Part of its allure arises from the conjoining of melody and harmony; the music continually begs the question of …

Something of an oddity behind today’s Advent Calendar door, and a real rarity too. Some decades ago, US composer Stephen Montague, who had developed a close relationship with John Cage, had asked Cage for a piano piece. Nothing came of this until 1990 when, in Montague’s words, He borrowed a …

Today’s Advent Calendar featured work is a choral piece i’ve returned to many, many times since first hearing it in 2018, at the Estonian Music Days. Gerta Raidma‘s je suis sets a text of her own devising, words that are achingly personal and intimate, mingling fragility and disorientation with faint …

The second piece i’m featuring in this year’s 5:4 Advent Calendar is STANZA, a short orchestral work by German composer Arne Gieshoff. The work’s title is a two-fold reference, to poetic structure (which in Gieshoff’s programme note seems to point toward Italian forms derived from the ‘strambotto‘, comprising eight lines …

Something new i’m introducing this year is a 5:4 Advent Calendar. Over the next few weeks, in the run-up to the festive season, i’m going to briefly explore a collection of interesting, and in some cases neglected, musical delights. Many of them are miniatures, but one or two larger works …