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Arash Yazdani

  • FestivalsPremières

    Musica Nova 2025 (Part 1)

    by 5:4 February 26, 2025 • 10:08
    February 26, 2025 • 10:08

    i’ve commented before on my general disinterest, and usual disregard, for music festival themes. Musica Nova, Helsinki’s biennial new music extravaganza, opted for ‘together’ as its theme this year, and while that word is sufficiently vague as to have almost no meaning, there were numerous times when that word insinuated …

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  • FestivalsPremières

    Estonian Music Days 2023 (Part 2)

    by 5:4 May 23, 2023 • 11:53
    May 23, 2023 • 11:53

    Surely the most completely abstract music i heard at this year’s Estonian Music Days was Blue Moon Station by Latvian composer Alise Rancāne. The piece involved all six members of the Ensemble of the Estonian Electronic Music Society (EMA) huddled around a computer keyboard playing a video game projected on …

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 2)

    by 5:4 May 2, 2022 • 05:00
    May 2, 2022 • 05:00

    The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist …

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  • Lent SeriesPremières

    Arash Yazdani – Nakba (World Première)

    by 5:4 April 9, 2022 • 16:36
    April 9, 2022 • 16:36

    The Arabic word ‘nakba’ (النكبة), which translates as “disaster” or “cataclysm”, is used to refer to the suffering, displacement and destruction wrought on the Palestinians from 1948 (with the wartime exodus) to the present day. It’s a term that has been in use right from the outset of the Israeli-Palestinian …

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 2)

    by 5:4 June 2, 2021 • 05:00
    June 2, 2021 • 05:00

    Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting …

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  • ConcertsFestivalsPremières

    Estonian Music Days 2018 (Part 1)

    by 5:4 April 24, 2018 • 13:32
    April 24, 2018 • 13:32

    A few days ago i returned from spending a week in the city of Tallinn, experiencing most of this year’s Eesti Muusika Päevad, the Estonian Music Days, the country’s most important festival devoted to contemporary music. In previous years i’ve commented on the perception that what one hears during EMD often …

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Eesti Muusika Paevad / Estonian Music Days 2025 World New Music Days 2025 Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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5:4
  • About
    • Other writings
  • Patrons
  • The Lists
    • Listening History
    • Complete List of Ratings
    • Compositions explored on 5:4
    • Albums and EPs reviewed on 5:4
    • Festivals reviewed on 5:4
    • Best Albums of the Years
    • The Proms premières – Poll results
  • The Dialogues
  • Mixtapes
    • Mixtapes
    • The Isolation Mixtapes
    • Mystery Mixtapes
    • Podcasts
  • Contact
    • Contact Form
    • Submission Contact Form