The majority of the concerts at this year’s Dark Music Days were focused on chamber music. The most leftfield of these came courtesy of Trio Isak, in a concert titled ‘Ballet on the Moon’. That title in part derived from the opening piece on the programme, Daníel Bjarnason‘s White Flags,…
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Atli Heimir Sveinsson
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As i mentioned previously, allusions to or evocations of nature were few and far between at this year’s Dark Music Days, indicating the strength and diversity of Iceland’s more searching, abstract approach to composition. This seemed to be precisely the point of Sigurður Árni Jónsson’s Illusion of Explanatory Depth, premièred…
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As i previously remarked, one of the most (and one of the only) disappointing things about my first experience of the Faroe Islands’ Summartónar festival was the almost complete lack of music by Faroese composers. The inclusion of Kristian Blak – artistic director of the festival – mitigated that to…