[…] by the music of Icelandic composer and performer Bára Gísladóttir. First contact was at the Dark Music Days in 2020, when i saw her in action with Skúli Sverrisson, forming a complex double bass / electric bass […]
[…] extreme of these works is ÓS by Bára Gísladóttir. When i first encountered the piece, at the 2020 Dark Music Days, i found it impossible to penetrate, a surface of familiar avant-garde gestures. But this […]
[…] 1 is for bass flute (played by Lauren Wuerth) and electronics, and my first impression of it, following its 2020 première, was “like achingly slow breathing, but with each inhalation […]
[…] birtist sjálfið / And the Self Appears for voice and electronics was performed at the 2020 Dark Music Days, and is a much bolder work. The whole piece revolves around Heiða’s voice, from a texture of […]
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[…] by the music of Icelandic composer and performer Bára Gísladóttir. First contact was at the Dark Music Days in 2020, when i saw her in action with Skúli Sverrisson, forming a complex double bass / electric bass […]
[…] extreme of these works is ÓS by Bára Gísladóttir. When i first encountered the piece, at the 2020 Dark Music Days, i found it impossible to penetrate, a surface of familiar avant-garde gestures. But this […]
[…] 1 is for bass flute (played by Lauren Wuerth) and electronics, and my first impression of it, following its 2020 première, was “like achingly slow breathing, but with each inhalation […]
[…] birtist sjálfið / And the Self Appears for voice and electronics was performed at the 2020 Dark Music Days, and is a much bolder work. The whole piece revolves around Heiða’s voice, from a texture of […]