The spectre of Romanian artist Constantin Brâncuși was brought to bear on this year’s World New Music Days in Bucharest, which took as its title, ‘Columna Infinita’. Title, not theme, and the invocation of Brâncuși’s famous sculpture therefore acted more as inference than reference point. Nonetheless, both the phrase and …
vocal
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Tension, climax, release. That’s not simply familiar but one of the most fundamental progressions we encounter in all forms of art. So it’s been fascinating to hear how Lithuanian composer Justina Repečkaitė sidesteps and reconfigures this most basic dramatic contour repeatedly on the first album devoted to her music, Tapestries. …
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £10 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
