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5:4
Tag:

concerto

  • ConcertsPremières

    Symphony Hall, Birmingham: CBSO Youth Orchestra

    by 5:4 February 28, 2023 • 15:47
    February 28, 2023 • 15:47

    i headed up the M5 to Birmingham last Sunday for a concert given by the CBSO Youth Orchestra at Symphony Hall. For many people in the audience, i suppose the highlight would have been two works by Berlioz: the concert opened with the Roman Carnival Overture and closed with the…

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  • Premières

    Proms 2022: Betsy Jolas – bTunes (World Première)

    by 5:4 September 6, 2022 • 14:16
    September 6, 2022 • 14:16

    In an artistic context, there’s an obvious world of difference between observation, taking inspiration from and / or seeking to emulate or analogise aspects of the natural world and human culture, and critique, taking issue with and / or seeking to highlight problems arising from or endemic within those same…

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  • Premières

    Proms 2022: Missy Mazzoli – Violin Concerto (Procession) (European Première)

    by 5:4 August 16, 2022 • 13:53
    August 16, 2022 • 13:53

    Sunday evening’s Prom included the European première (so nice to see Britain still regarded as being in Europe) of Missy Mazzoli‘s new Violin Concerto. Parenthetically subtitled ‘Procession’, the work is something of a response to the time of lockdown, examining, in Mazzoli’s words “how we use music and ritual to…

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  • Premières

    Proms 2022: Nicole Lizée – Blurr is the Colour of My True Love’s Eyes (European Première)

    by 5:4 August 1, 2022 • 14:31
    August 1, 2022 • 14:31

    Canadian composer Nicole Lizée‘s new percussion concerto, premièred last month in Ottowa, received its first European performance at the Proms last Friday evening. Its title, Blurr is the Colour of My True Love’s Eyes, though somewhat strange at first, perhaps suggests the two main aspects of the work. The first…

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  • Premières

    Proms 2022: Sally Beamish – Hive (World Première)

    by 5:4 July 22, 2022 • 17:56
    July 22, 2022 • 17:56

    Yesterday evening’s Prom concert wasn’t specifically aimed at children, but you’d be forgiven for thinking it was while listening to Sally Beamish‘s new harp concerto, Hive. The work’s narrative is structured in a simple four-movement form, corresponding to the seasons of the year, beginning in winter. This opening movement isn’t…

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  • CD/Digital releases

    Annelien Van Wauwe – Flow

    by 5:4 June 20, 2022 • 15:59
    June 20, 2022 • 15:59

    Flow is the title of a new album featuring Belgian clarinettist Annelien Van Wauwe wielding the less common basset clarinet. Invented in the 1770s by Theodor Lotz (who had previously created the basset horn), the purpose of the instrument was in part to extend the lower range of the clarinet.…

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  • CD/Digital releases

    Xiaogang Ye – Mount E’mei; Winter; The Song of the Earth

    by 5:4 August 20, 2021 • 00:00
    August 20, 2021 • 00:00

    Five years ago i was getting excited by an album of orchestral music by a Chinese composer previously unknown to me, Xiaogang Ye. That excitement has been rekindled recently by the coincidentally-timed release of three new albums of Ye’s music in the last few weeks, which together provide an excellent…

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  • CD/Digital releases

    The Brandenburg Project

    by 5:4 June 7, 2021 • 11:21
    June 7, 2021 • 11:21

    Three years ago, the Proms festival featured the first complete performance of The Brandenburg Project, a large-scale undertaking by the Swedish Chamber Orchestra, who commissioned six composers to write a work responding to one of J. S. Bach’s Brandenburg Concertos, with the aim that they should ideally also use the…

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 2)

    by 5:4 June 2, 2021 • 05:00
    June 2, 2021 • 05:00

    Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting…

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  • CD/Digital releases

    Olga Neuwirth – …miramondo multiplo…

    by 5:4 May 20, 2020 • 05:00
    May 20, 2020 • 05:00

    It’s always nice when music you’ve encountered in a previous context finds its way onto disc. That’s true of two of the three works on the latest CD of Olga Neuwirth‘s music, released by Kairos. i first heard Neuwirth’s viola concerto Remnants of Songs … an Amphigory during the 2012…

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  • ConcertsFestivalsPremières

    Dark Music Days 2020 (Part 1)

    by 5:4 February 5, 2020 • 06:00
    February 5, 2020 • 06:00

    It no doubt goes without saying that Iceland’s Dark Music Days festival is primarily named for the fact that it takes place in January, when the amount of daylight the country receives is minimal. In a less literal sense, though, musically speaking there’s a lot to be said for listening…

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  • FestivalsPremières

    Proms 2019: Jocelyn Pook – You Need to Listen to Us; Alissa Firsova – Red Fox; Ryan Wigglesworth – Piano Concerto (World Premières)

    by 5:4 August 29, 2019 • 16:53
    August 29, 2019 • 16:53

    A few weeks back, when critiquing Hans Zimmer’s short work Earth, i almost held back from writing about the piece as it was taking place in a concert for children. i couldn’t help wondering to what extent it was fair to hold up something so intentionally superficial to critical scrutiny.…

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  • FestivalsPremières

    Proms 2019: Dieter Ammann – Piano Concerto (“Gran Toccata”) (World Première)

    by 5:4 August 23, 2019 • 13:05
    August 23, 2019 • 13:05

    None of the premières so far at this year’s Proms has left me with a more conflicted first impression than Dieter Ammann‘s new Piano Concerto, given its first performance on Monday by Andreas Haefliger with the BBC Symphony Orchestra conducted by Sakari Oramo. The basis for that reaction is wrapped…

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  • FestivalsPremières

    Proms 2019: Peter Eötvös – Alhambra; Tobias Broström – Nigredo: Dark Night of the Soul (UK Premières)

    by 5:4 July 30, 2019 • 17:23
    July 30, 2019 • 17:23

    The last two premières at the Proms have both been concertos: Alhambra, the third violin concerto by Peter Eötvös, and Nigredo: Dark Night of the Soul, a double-trumpet concerto by Swedish composer Tobias Broström. It’s been interesting to note how their overall approach to narrative is, at a fundamental level…

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  • CD/Digital releases

    Esa-Pekka Salonen – Cello Concerto

    by 5:4 July 15, 2019 • 16:27
    July 15, 2019 • 16:27

    One of my highlights from last year came at the end of the summer, during the final concert at the Baltic Sea Festival in Stockholm. An occasion given over to celebrating composer and conductor Esa-Pekka Salonen (which i reviewed elsewhere), the concert included a performance of Salonen’s Cello Concerto given…

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  • PremièresThematic series

    Estonia in focus weekend: Erkki-Sven Tüür – Prophecy (UK Première)

    by 5:4 October 28, 2018 • 05:00
    October 28, 2018 • 05:00

    Another of the works at the BBC Symphony Orchestra’s Maida Vale concert of Estonian music on 4 July was Erkki-Sven Tüür‘s 2007 accordion concerto Prophecy, which received its first UK performance with Olari Elts conducting and Mika Väyrynen (for whom it was written) as soloist. Any composer who writes a…

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  • FestivalsPremières

    Proms 2018: Iain Bell – Aurora; Nina Šenk – Baca (World Premières)

    by 5:4 September 7, 2018 • 11:48
    September 7, 2018 • 11:48

    The interplay of performing relationships has been at the centre of the last two Proms premières. Iain Bell’s Aurora, a concerto for coloratura soprano and orchestra, given its first performance on 29 August by Adela Zaharia and the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko, seeks to pit the soloist as…

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  • FestivalsPremières

    Proms 2018: Per Nørgård – Symphony No. 3 (UK Première); Rolf Wallin – WHIRLD; Bushra El-Turk – Crème Brûlée on a Tree (World Premières)

    by 5:4 August 29, 2018 • 12:51
    August 29, 2018 • 12:51

    Quite apart from anything else they may embody, this year’s Proms premières have occupied pretty much the entire span of the profound—trivial continuum. At its most extreme, this has been exemplified by the most recent new works, which have ranged from a compositional exploration of infinity culminating in a state…

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  • CD/Digital releases

    Erkki-Sven Tüür – Illuminatio/Whistle and Whispers from Uluru/Symphony No. 8, Arvo Pärt & Alfred Schnittke – Choral Works, Arvo Pärt – The Symphonies

    by 5:4 August 24, 2018 • 16:35
    August 24, 2018 • 16:35

    Returning to one of my occasional themes, there have been some interesting releases of Estonian music in the last few months. In February, i wrote about the Ninth Symphony by one of the country’s most dynamic composers, Erkki-Sven Tüür, so it’s nice timing that the Ondine label has brought out…

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  • FestivalsPremières

    Proms 2018: Philip Venables – Venables Plays Bartók; Laura Mvula – Love Like A Lion (World Premières); Agata Zubel – Fireworks (UK Première)

    by 5:4 August 22, 2018 • 06:00
    August 22, 2018 • 06:00

    The last few Proms premières have been, to put it mildly, an extremely mixed bag. By far the most excruciating of them was Venables Plays Bartók, a violin concerto of sorts by Philip Venables, given its first performance last Friday by Pekka Kuusisto with the BBC Symphony Orchestra, conducted by Sakari Oramo. As its title…

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