As well as the intimacy demonstrated in several concerts at this year’s Sacrum Profanum festival in Kraków, many of the other performances provided opportunities for immersive listening, often within the context of large-scale durations. Two of these, both examples of primary colour, bargain basement minimalism, may well have been striving …
Justė Janulytė
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One of my personal highlights of this year’s Huddersfield Festival was the performance of Justė Janulytė‘s 2020 work for 8 trumpets, Unanime. Composed for Marco Blaauw’s Monochrome Project, the piece exists in two versions: the first, with a single climax, lasts 15 minutes; the second, with two climaxes (one muted, …
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This year’s composer in residence at HCMF, Lisa Streich, was represented by an appropriately large number of performances, allowing for a pretty deep dive into her musical thinking. If i say that a lot of what i heard of Streich’s music was more intriguing than immediately enjoyable, i need to …
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A couple of days ago we crossed the threshold into winter, so for both today’s and tomorrow’s Advent Calendar pieces i’m exploring music that either invokes or evokes the cold. Invocation first, in the form of Now I’m Nowhere, a work for male voices by Lithuanian composer Justė Janulytė. Janulytė …
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For the last six years, the SWR Vokalensemble and conductor Marcus Creed have been on a systematic journey through choral music from all points of the globe. It’s a journey i wasn’t aware of until earlier this year, when a large box set unexpectedly arrived at my door, ambitiously titled …