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Mauro Lanza

  • FestivalsPremières

    Only Connect 2023 (Part 2)

    by 5:4 April 25, 2023 • 08:06
    April 25, 2023 • 08:06

    Very few performances at Only Connect 2023 failed to impress. Among the exceptions was Caminante by Michael Pisaro, premièred on the opening night by Trondheim Sinfonietta with bassist Michael Francis Duch. Though the work began well, establishing a nicely darkened texture that became almost gritty and dirty, as soon as…

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  • ConcertsFestivalsPremières

    HCMF 2021 (Part 2)

    by 5:4 November 28, 2021 • 13:13
    November 28, 2021 • 13:13

    HCMF always has its fair share of unconventional, genre-defying performances, and this year was no exception. Among the more unusual was Eupepsia/Dyspepsia devised by Austrian composer Eva Reiter. Taking the form of a concert-cum-lecture (or possibly lecture-cum-concert), the focus of the work was on the socio-cultural effects wrought on Bolivia…

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  • FestivalsPremières

    Only Connect 2018 (Part 2)

    by 5:4 June 3, 2018 • 16:47
    June 3, 2018 • 16:47

    From the lofty architecture of Sentralen, day two of the Only Connect festival took place in the infinitely more modest environment of Skippergata, a relaxed café-bar-nightclub with various large and small performance spaces. Though the venue was low-key, the concerts were anything but. Flautist Alessandra Rombolà’s rendition of Christina Kubisch‘s 1974 Emergency…

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  • ConcertsFestivalsPremières

    HCMF 2015: Richard Uttley, United Instruments of Lucilin

    by 5:4 November 22, 2015 • 18:02
    November 22, 2015 • 18:02

    It’s perhaps a little early, following just two concerts yesterday evening, to start describing the characteristics that typify this year’s Huddersfield Contemporary Music Festival. But based on these, and considering the featured composer is Jürg Frey, it would seem that ‘delicacy’ is going to be one of this year’s prevailing…

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  • ConcertsFestivals

    HCMF 2013: Séverine Ballon

    by 5:4 November 19, 2013 • 16:30
    November 19, 2013 • 16:30

    Today’s first concert was given by French cellist Séverine Ballon. Her recital comprised UK premières by Hèctor Parra and Mauro Lanza and a world première by Rebecca Saunders, together with a classic of the repertoire, James Dillon‘s Parjanya-Vata, composed in 1981. It was especially good to hear this again; it’s…

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5:4
  • About
  • Patrons
  • The Lists
    • Listening History
    • Complete List of Ratings
    • Compositions explored on 5:4
    • Composer Map
    • Albums and EPs reviewed on 5:4
    • Festivals reviewed on 5:4
    • Best Albums of the Years
    • The Proms premières – Poll results
  • The Dialogues
  • Mixtapes
    • Mixtapes
    • The Isolation Mixtapes
    • Mystery Mixtapes
    • Podcasts
  • Contact
    • Contact Form
    • Submission Contact Form