Hello, & welcome to 5:4 – a blog devoted to the most interesting, innovative & impressive music of our time
My name is Simon Cummings, & i’m a composer based in the Cotswolds. i began 5:4 in 2008, in part due to the paucity of informed, intelligent & meaningful discussion of new music both in the press & online, but mostly as a way to explore & share my passion for contemporary music. You won’t need to read many articles to get a pretty clear idea of the kinds of music to which i’m most drawn; my taste is extremely eclectic, but my chief interests lie at the vanguard of classical, experimental & electronic musics. A succinct summary of the composers, musicians & bands i currently regard most highly can be found on the Fanaticism page. An assortment of favourite labels, visual artists & the like can be found on the Favouritism page. Articles written before 2012 can be found on the previous incarnation of 5:4, here.
For the most part, 5:4 goes wherever i feel like taking it, depending on which particular whim i’m presently entertaining, but you will find a number of regular items on the blog:
- Reviews of newly-premièred pieces occur prominently, together with an off-air recording (usually from BBC Radio 3) in FLAC format. Throughout the summer, all of the premières at the BBC Proms concert series are featured. A summary of all the contemporary pieces reviewed on 5:4 can be found on The List.
To download the FLAC files, i recommend JDownloader, which is free & should ensure a successful download even when connection speeds are a bit hit-&-miss.
- Reviews of new CDs & digital releases – to submit your music for review, see ‘Get in touch’ below
- Retrospectives of particular composers, bands, works or albums
- Mix tapes, each exploring a particular theme
- Best of the Year lists, summarising the albums & EPs that have impressed me most in the previous 12 months
Above all, 5:4 is a celebration of great music so, for the most part, music i dislike is not discussed on the blog (after all, the best way of responding to bad music is usually to ignore it). However, if music of more questionable quality occurs as part of a larger review or series of articles, rest assured i will not mince my words. i think these words of Berlioz (from his Memoirs) sum things up nicely:
…I can at least say that never for any consideration whatever have I been put off expressing in the most ungrudging terms what I feel about works or artists that I admire. [...] Indeed, the sole compensation that journalism offers me for all its torments is the scope it gives to my passion for the true, the great, the beautiful, wherever they exist.
In addition to 5:4, i occasionally write articles elsewhere. i’m an occasional contributor to Fluid Radio, & have recently had articles published in Flute, the journal of the British Flute Society, & the Mexican arts magazine La Tempestad.
Get in touch
Comments from readers are warmly encouraged; i read them all, & will always reply if & when i can (& if i have something to say!). To follow 5:4 properly, subscribe to the RSS feed &/or the Twitter feed; for insights into what i’m currently listening to, check out my Last.fm profile.
i’m always interested to hear music by composers & musicians unfamiliar to me, so if you’d like me to take a listen to your music—& do please read 5:4 reasonably thoroughly beforehand to get a clear idea of my tastes—send me an email. Please don’t email me audio files or add me to your mailing list; unsolicited approaches like that are bad form & will definitely not be appreciated. Bear in mind i already receive a lot of music to listen to, so it may take time to take a listen, & as i tend only to write about the best of what i’ve heard, your music may well not be reviewed. But what have you got to lose?
Being a composer myself, my own work is featured on 5:4 from time to time; to find out more, hear examples & order CDs of my music, you can visit my website, my Bandcamp site & my Soundcloud page. A selection of my music can be streamed below.
Thanks for visiting 5:4, i very much hope you enjoy what you find here—it’s the most beautiful ugly sound in the world.