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Proms 2017: Lotta Wennäkoski – Flounce (World Première)

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After eight weeks of (for the most part) serious music-making, the Last Night of the Proms, quite reasonably, is primarily disposed to the aim of letting of steam and just having fun. For the contemporary composer chosen to get the evening going each year, the enormous sense of occasion – even more so than at the first night – must be so impossible to ignore (and why would you?) that one can’t help wondering to what extent they feel their …

Proms 2017: pre-première questions with Lotta Wennäkoski

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This evening, Finnish composer Lotta Wennäkoski‘s new work Flounce will literally become the beginning of the end, getting started the Last Night of the Proms. For the final time this year then, here are my pre-première questions, together with Wennäkoski’s answers and her programme note for the piece. Many thanks to Lotta for her responses.

Proms 2017: Missy Mazzoli – Sinfonia (for Orbiting Spheres) (European Première), Catherine Lamb – Prisma Interius V & Emilie Levienaise-Farrouch – The Minutes (World Premières)

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The last three Proms premières, though very different in some respects, shared some important things in common. All of them, Sinfonia (for Orbiting Spheres) by Missy Mazzoli, Prisma Interius V by Catherine Lamb and The Minutes by Emilie Levienaise-Farrouch, eschew silence and focus primarily on harmonic movement – or, more specifically, on the (juxta)positioning of pitches to harmonic ends. In tandem with this, they also all broadly adopt an approach that treats the performance space as a vessel into which sound …

Proms 2017: pre-première questions with Catherine Lamb

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Concert halls be damned! Tonight the Proms makes another of its peripatetic excursions beyond the confines of the Royal Albert Hall, paying a first visit to The Tanks at Tate Modern. Among the music being performed will be the world première of Prisma Interius V by experimental American composer Catherine Lamb. To get you whetted and prepped, here are her responses to my pre-première questions, along with a programme note for her piece. Many thanks to Catherine for her answers.

Proms 2017: pre-première questions with Missy Mazzoli

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This evening’s Prom concert includes the first European performance of the orchestral version of Sinfonia (for Orbiting Spheres) by US composer Missy Mazzoli. For those unfamiliar with her work, here are her answers to my pre-première questions, together with the programme note for the piece. Many thanks to Missy for her responses.

Proms 2017: Hannah Kendall – The Spark Catchers (World Première)

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The latest orchestral work by British composer Hannah Kendall received its first performance a couple of nights ago at a late night Prom given by Chineke! Orchestra, the flagship orchestra of the Chineke! Foundation, established a couple of years ago “to provide career opportunities to young Black and Minority Ethnic (BME) classical musicians in the UK and Europe”. As she described in her answers to my pre-première questions, her new piece The Spark Catchers takes its inspiration and title from …

Proms 2017: Andrea Tarrodi – Liguria (UK Première)

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Last night saw the second UK première by a Swedish composer at this year’s Proms, this time from Andrea Tarrodi. For those unfamiliar with her work, the key part of her responses to my pre-première questions was the reference to her parallel passion for painting, plus the related fact that she continues to “connect music with images and colours”. Though she didn’t use the term, in essence she’s an impressionist, creating musical canvasses that evoke, allude and suggest, according to …