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Rebecca Saunders on record (Part 1)

Posted on by 5:4 in Anniversaries, CD/Digital releases, Lent Series | Leave a comment

Alongside the individual pieces i’m focusing on in this Lent Series, i’m also going to be providing an overview of as much as possible of Rebecca Saunders’ music that has been released commercially. When i started planning this series of articles last autumn, my perception was that there wasn’t very much of her music available, but investigating more thoroughly has revealed that around half of her compositions to date – 28 pieces – have been released on CD and/or digital …

Electric Spring/Ambient@40

Posted on by 5:4 in Academia, Announcements, Concerts | Leave a comment

A quick, last-minute heads-up about Huddersfield University’s annual blow-out celebrating all things electronic, Electric Spring, which starts this evening and runs until Sunday. This year’s programme is typically diverse: Philip Thomas and Colin Frank will be performing works for piano, percussion and electronics, Freida Abtan will present a 21-minute audiovisual work “inspired by the logic of dream narrative”, while Rodgrigo Costanzo, Brian Crabtree and Angela Guyton will explore improvised pieces, some of which involve dynamic lighting and video. The concerts are …

Rebecca Saunders – murmurs (UK Première)

Posted on by 5:4 in Anniversaries, Lent Series, Premières | 2 Comments

Since the trace is not a presence but the simulacrum of a presence that dislocates itself, displaces itself, refers itself, it properly has no site; erasure belongs to its structure. And not only the erasure which must always be able to overtake it (without which it would not be a trace but an indestructible and monumental substance), but also the erasure which constitutes it from the outset as a trace, which situates it as the change of site, and makes …

ionnalee – Everyone Afraid To Be Forgotten

Posted on by 5:4 in CD/Digital releases | Leave a comment

The fact that i’ve only written about Swedish musician Jonna Lee‘s music very occasionally belies the fact that i feel she’s one of the most inventive singer-songwriters at work today. This has been the case from the outset of her revamped career in late 2009, when she was posting anonymous YouTube videos that got everyone wondering who on earth was creating this stuff, through her three albums as iamamiwhoami, all of which have featured towards the top of my Best …

Rebecca Saunders – traces (UK/Austrian Premières)

Posted on by 5:4 in Anniversaries, Lent Series, Premières | 9 Comments

Rebecca Saunders turned 50 towards the end of last year, so to mark this milestone the 5:4 Lent Series will this year be dedicated to her music. Over the course of the next six weeks, i’ll be looking at a number of her pieces in some detail, as well as providing a survey of her work as represented by CDs and downloads. Although Saunders is British born, her music is neglected in the UK; with the exception of Huddersfield, which …

Estonia in Focus weekend: Helena Tulve – The Night-Sea Journey (World Première)

Posted on by 5:4 in Premières, Thematic series | Leave a comment

To conclude this weekend i’m returning to the music of Helena Tulve and to another world première, which took place last November during one of Estonia’s main contemporary music festivals, AFEKT. A 17-minute work for saxophone, percussion and piano, in a way all one needs to say about it is encapsulated in its title, The Night-Sea Journey. The music is entirely directed toward the implied narrative of that title, inhabiting a nocturnal world of shadows and moonlight, progressing – in my mind, anyway …

In memoriam Jóhann Jóhannsson

Posted on by 5:4 in Commemorations | 3 Comments

First encounters can be unforgettable. Mine was in 2006, and it was the result of an entirely random purchase of an entirely random imported music magazine (German, i think) that contained a disc featuring a cluster of forgettable audio trifles plus a music video. When i hit play on that video, time suddenly started to slow down, and i became transfixed and deeply moved by the enormity of the music’s unusual mix of melancholy and beauty. The music was ‘The …