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Mica Levi – Greezy (World Première)

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Having referred to the cinematic qualities of some recent premières, it’s interesting now to turn to a composer whose music does not sound conventionally cinematic, yet who has become well-known in recent times for a film score. Jonathan Glazer’s 2013 film Under the Skin is a remarkable piece of work, simultaneously alienating (literally) and human, and emotionally-speaking both aloof and raw. Mica Levi‘s score was justifiably lauded for the way it not only integrated so seamlessly into Glazer’s unique world, …

Mark Simpson – Israfel (World Première)

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Another composer with somewhat filmic leanings is Mark Simpson, heard to good effect in his latest orchestral piece, Israfel, premièred last month at the City Halls in Glasgow. Simpson’s piece reminded me how long it had been since i’d revisited my well-thumbed copy of the works of Edgar Allan Poe; in his eponymous poem, Poe depicts Israfel—the Islamic “angel of the trumpet”—as an apogee of expressive potency and poetic inspiration, causing the very universe to quieten: In Heaven a spirit …

Albert Schnelzer – Tales from Suburbia (World Première)

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Premières – there have been some interesting ones of late, so let’s get back to them. It’s almost five years since Swedish composer Albert Schnelzer has been featured on 5:4, when his quirky orchestral work A Freak in Burbank was played at the 2010 Proms. A few weeks ago, his new work Tales from Suburbia received its first performance at the Barbican, by the BBC Symphony Orchestra conducted by Kirill Karabits. Similarities between the two works are strong; clearly, one …

Proms 2015 – looking forward

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It’s that time again; the 2015 Proms season has today been unveiled, and once again offers more than a few treats for lovers of new music. That’s putting it extremely mildly; in truth, the amount of contemporary music in this year’s concerts is actually rather jaw-dropping, with no fewer than 20 world premières, plus a host of European and UK first performances and a healthy additional cluster of recent works. Having been temporarily usurped in 2014, the tradition of a …

New releases: Simon Steen-Andersen, Monty Adkins & Stephen Harvey, Jennifer Walshe

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My round-up of the most interesting new releases this time features three objects: a film, a box and a book, each desirable for very different reasons. The film, available from Dacapo Records, is a much-to-be-celebrated DVD release of Simon Steen-Andersen‘s bewilderingly marvellous work Black Box Music. The memory of my first encounter with the piece at HCMF 2012 is still very vivid, and that’s entirely due to the skilful blend of wit and virtuosity that is encapsulated both within and …

Unsuk Chin – Mannequin (World Première)

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Last night saw the first performance of Unsuk Chin‘s new orchestral piece Mannequin, performed at Sage Gateshead by the National Youth Orchestra—who, these days, can seemingly play anything—conducted by Ilan Volkov. The work’s four movements are subtitled “tableaux vivants”, ‘living pictures’ that are rooted in several episodes from E. T. A. Hoffman’s story The Sandman. i say ‘rooted’, but in fact ‘imbued’ would be a better word; if anything has characterised Chin’s music in the last few years it is …

Rebecca Saunders – Void (World Première)

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To bring my Lent Series to an end, i’ve chosen a work rather fitting to the general atmosphere of Easter Eve, Rebecca Saunders‘ Void, for two percussionists and chamber orchestra. Saunders was recently awarded the 2015 Mauricio Kagel Music Prize, for composers who, among other things, “are forever in search of new forms of artistic expression and explore new aspects of musical reception”; it’s a description that aptly summarises Saunders’ music in general, and Void in particular. The work bears …