Gottfried Huppertz

New releases: Gottfried Huppertz, Elliott Sharp, Anna Þorvaldsdóttir, Coppice

Posted on by 5:4 in CD/Digital releases | 2 Comments

i want to flag up a few more new releases that have recently been tickling my jukeboxical fancy. To begin with, music that’s not remotely contemporary, but which in its own way marks an important contribution to the development of a particular musical strand that began early in the 20th century. Gottfried Huppertz was the composer for two of Fritz Lang’s most impressive films; his 1927 score for Metropolis can be heard as a progenitor of the style and approach that is at the heart of composers like John Williams. But it’s his score for Lang’s massive 4½-hour two-part epic Die Nibelungen, composed three years earlier, that can be heard to contain the quintessence of the movie soundtrack in a startlingly nascent form. In contrast to Metropolis, where mechanistic machinations dominate its narrative, Die Nibelungen is a score rooted deeply in lyrical melodic action. Huppertz’s musical language is sumptuous, echoing the shifting harmonic sensibilities of Richard Strauss, but above all strikingly redolent of the impassioned melodies (and instrumentation) of Scriabin’s symphonies. His approach is essentially leitmotivic, establishing a variety of principal ideas that are continually repositioned and recast in different lights and flavours in response to the events on-screen.
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