This kind of thing – short-winded surface detail masking longer-term stasis – can result some fine symphonies in the right hands: Kancheli’s, for example, or most of Schnittke’s. You’re right, though: Sumera doesn’t have anything like their dramatic flair – or even their basic memorability. I’d describe him as a less blustering Tabakov – and that, from me, you’ll know is a real insult…
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This kind of thing – short-winded surface detail masking longer-term stasis – can result some fine symphonies in the right hands: Kancheli’s, for example, or most of Schnittke’s. You’re right, though: Sumera doesn’t have anything like their dramatic flair – or even their basic memorability. I’d describe him as a less blustering Tabakov – and that, from me, you’ll know is a real insult…
His Cello Concerto is also very good.