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Estonia

  • Advent Calendar

    Tõnis Kaumann – Ave Maria

    by 5:4 December 8, 2022 • 05:00
    December 8, 2022 • 05:00

    For those of a Catholic persuasion, today is one of the days devoted to Mary in the liturgical calendar, so it’s as good a time as any to feature in my Advent Calendar a setting of Ave Maria by Estonian composer Tõnis Kaumann. A few years ago i explored Kaumann’s…

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  • Advent CalendarPremières

    Galina Grigorjeva – Molitva (World Première, theremin & strings version)

    by 5:4 December 2, 2022 • 05:00
    December 2, 2022 • 05:00

    Today marks the 60th birthday of Ukraine-born, Estonia-based composer Galina Grigorjeva. Her music over the last decade or so has progressively moved more closely in both character and ideology to that of Arvo Pärt, rooted in musical simplicity, articulating aspects of Orthodox religious belief. In the case of her 2005…

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  • PremièresRetrospectives

    The 10 Symphonies of Erkki-Sven Tüür – Part 4: Symphony No. 10 ‘ÆRIS’

    by 5:4 October 16, 2022 • 05:00
    October 16, 2022 • 05:00

    This text is an expanded version of the article originally published (in Estonian translation) by Sirp, 16 September 2022. Looking back through Erkki-Sven Tüür’s first nine symphonies, they exhibit a great deal of consistency, primarily with regard to the use of contrasting musical ideas, often presented as bold juxtapositions, sometimes…

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  • Retrospectives

    The 10 Symphonies of Erkki-Sven Tüür – Part 3: Symphonies Nos. 6-9

    by 5:4 October 13, 2022 • 05:00
    October 13, 2022 • 05:00

    This text is an expanded version of the article originally published (in Estonian translation) by Sirp, 16 September 2022. Having featured them prominently in his Fourth and Fifth symphonies, Erkki-Sven Tüür does away with soloists in Symphony No. 6 (2007), but he continues the more nuanced approach to juxtaposition heard…

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  • Retrospectives

    The 10 Symphonies of Erkki-Sven Tüür – Part 2: Symphonies Nos. 2-5

    by 5:4 October 10, 2022 • 10:56
    October 10, 2022 • 10:56

    This text is an expanded version of the article originally published (in Estonian translation) by Sirp, 16 September 2022. An extreme example of disorientation caused by juxtaposition – first glimpsed in Erkki-Sven Tüür‘s Symphony No. 1 (in both its original and revised versions) – occurs in the opening part of…

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  • PremièresRetrospectives

    The 10 Symphonies of Erkki-Sven Tüür – Part 1: Symphony No. 1

    by 5:4 October 7, 2022 • 05:00
    October 7, 2022 • 05:00

    This text is an expanded version of the article originally published (in Estonian translation) by Sirp, 16 September 2022. It’s surely true that no composers today – and very few composers historically – would give any credence whatever to the so-called “curse of the ninth”, the absurd superstition that, having…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 4)

    by 5:4 May 9, 2022 • 09:52
    May 9, 2022 • 09:52

    A disconcerting aspect of some of the pieces performed at this year’s Estonian Music Days was the extent to which their material, language and / or behaviour was obviously begged, borrowed and / or stolen from heavily-worn musical conventions, to the point of outright cliché. This was especially apparent in…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 2)

    by 5:4 May 2, 2022 • 05:00
    May 2, 2022 • 05:00

    The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist…

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 1)

    by 5:4 April 28, 2022 • 16:51
    April 28, 2022 • 16:51

    Even before my plane touched down at Tallinn airport, i knew that this year’s Estonian Music Days was going to feel a bit different. Last year marked the 20th anniversary of Estonia’s independence from Soviet occupation, and one of the effects of Russia’s ongoing war against Ukraine is that Tallinn…

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  • Lent SeriesPremières

    Helena Tulve – Lament (World Première)

    by 5:4 April 16, 2022 • 05:00
    April 16, 2022 • 05:00

    Curating this year’s Lent Series, focusing on death, grief and loss, has been something of a difficult experience. As i mentioned at the start of the series, this theme has felt unavoidable and inevitable at the moment, but at the same time works such as the ones i’ve featured, that…

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  • Lent SeriesPremières

    Elis Hallik – Some Paths Will Always Lead Through the Shadows (World Première)

    by 5:4 March 18, 2022 • 05:00
    March 18, 2022 • 05:00

    The next piece in my Lent Series is concerned with not just the possibility but the occasional necessity of having to progress through darkness. Some Paths Will Always Lead Through the Shadows was composed by Elis Hallik in 2021, and takes as inspiration words by poet Doris Kareva: Bitter and…

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  • Lent SeriesPremières

    Lauri Jõeleht – A Prayer in Darkness (World Première)

    by 5:4 March 10, 2022 • 05:00
    March 10, 2022 • 05:00

    For the next work in this year’s 5:4 Lent Series, i’m turning to a work for oboe and three organs by Estonian composer Lauri Jõeleht. A Prayer in Darkness dates from 2017, and its title is drawn from an eponymous poem by G. K. Chesterton, the final verse of which…

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  • Advent CalendarPremières

    Malle Maltis – Öökülm (World Première)

    by 5:4 December 24, 2021 • 05:00
    December 24, 2021 • 05:00

    Today’s Advent Calendar piece is another focused on the coldness of winter: Öökülm [night frost] for orchestra and electronics by Malle Maltis. In her programme note, Maltis speaks a lot about the destruction caused by cold, and a little about beauty. To an extent this emphasis is mirrored in the…

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  • Advent Calendar

    Jakob & Nathan Tulve – Antiphon: Angeli, Archangeli & Psalm 138

    by 5:4 December 20, 2021 • 05:00
    December 20, 2021 • 05:00

    For today’s Advent Calendar piece i’m turning to part of a concert given by the choir Vox Clamantis. Originally formed to explore Gregorian chant, while the choir’s repertoire now encompasses ancient and modern, one of the features of their concerts is the way they’re structured as what could be called…

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  • Advent CalendarPremières

    Helena Tulve – Nächtliche Gesänge (World Première)

    by 5:4 December 14, 2021 • 05:00
    December 14, 2021 • 05:00

    Behind today’s Advent Calendar door is one of the most stunning choral works i’ve heard in the last few years. i was fortunate enough to experience the first performance of Helena Tulve’s Nächtliche Gesänge [Night Songs] at the World Music Days in 2019. The two songs use texts from German…

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  • Advent CalendarPremières

    Gerta Raidma – je suis (World Première)

    by 5:4 December 3, 2021 • 05:00
    December 3, 2021 • 05:00

    Today’s Advent Calendar featured work is a choral piece i’ve returned to many, many times since first hearing it in 2018, at the Estonian Music Days. Gerta Raidma‘s je suis sets a text of her own devising, words that are achingly personal and intimate, mingling fragility and disorientation with faint…

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  • CD/Digital releases

    Estonian Philharmonic Chamber Choir – music by Schnittke and Pärt; Latvian Radio Choir – Ramon Humet: Light

    by 5:4 July 21, 2021 • 17:43
    July 21, 2021 • 17:43

    This week i’ve been spending time with a couple of new albums that could each be described as being “devotional”. By that i don’t simply mean ‘religious’, although both of them are fundamentally informed by that attitude, one explicitly, the other implicitly. Listening to them has been a thought-provoking experience,…

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 2)

    by 5:4 June 2, 2021 • 05:00
    June 2, 2021 • 05:00

    Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting…

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 1)

    by 5:4 May 30, 2021 • 05:00
    May 30, 2021 • 05:00

    Does the phrase “Baltic music” mean anything? Is it something that has a discrete, tangible identity? i found myself considering this question during pretty much every concert of this year’s first ever Baltic Music Days. A festival that’s been in the offing for a number of years, bringing together composers…

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  • Lent Series

    Mirjam Tally – Land of Tree Worshippers

    by 5:4 March 21, 2021 • 05:00
    March 21, 2021 • 05:00

    One of the composers i’ve become most fascinated by in recent years is Mirjam Tally. Born in Estonia, but for many years based in Sweden, Tally’s work often draws on elements of folk music and is invariably imbued with allusions to the natural world. This attraction to nature extends throughout…

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