The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist …
accordion
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Today’s Advent Calendar work is one of Webernesque miniature proportions. Composed in 1976, Howard Skempton‘s One for the Road for solo accordion is a typically strange piece, full of paradoxes. In a not dissimilar way to a more recent work like Oculus, Skempton’s material is obsessive, cycling around a single …
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Another of the works at the BBC Symphony Orchestra’s Maida Vale concert of Estonian music on 4 July was Erkki-Sven Tüür‘s 2007 accordion concerto Prophecy, which received its first UK performance with Olari Elts conducting and Mika Väyrynen (for whom it was written) as soloist. Any composer who writes a …
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For the penultimate work in my Lent Series exploring concertos, i’m turning to the innovative Norwegian composer Arne Nordheim, who died in 2010. He composed Spur for accordion and orchestra 40 years ago; the title is a German word meaning ‘track’ or ‘(foot)print’, which here, in part, relates to the …