Berglind María Tómasdóttir

Among the plethora of releases i’ve received in recent times there’s been a number of especially noteworthy items, either in the form of sizeable box sets or otherwise ‘unusual’ editions, so throughout the course of this month, alongside other things, i’ll be exploring some of them. Surely the strangest (and,…

Happy New Year! i want to begin 2022 by saying a bigger THANK YOU than usual to all of you who have actively supported and followed 5:4 during the last year, most of all my faithful band of Patrons. While 2021 isn’t a year i’m sorry to see the back…

i’m really not a nostalgic person at all, but it recently occurred to me that when i created the first 5:4 Best Albums of the Year list, my reason for choosing to include 40 entries was due to the oh-so-many years as a teenager that i’d spent listening to the…

The other recent release of Icelandic music that i’ve been spending time with lately is Ethereality, by flautist Berglind María Tómasdóttir (whose Icelandic Flute Music album i explored at the start of the year). When writing about Anna Þorvaldsdóttir’s Enigma i commented on the way the distinction between the different…