In addition to the solos and duos i discussed previously, there were various ensemble performances at this year’s Sacrum Profanum, though they were very far from being highlights, memorable for the wrong reasons. As far as Stephen O’Malley‘s You Origin was concerned, one already knew what to expect. However, to …
Tag:
France
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While the Sacrum Profanum festival’s name hints at its beginnings, mixing sacred and secular music of the 18th and 19th centuries, today’s iteration bears no resemblance. Notions of ‘sacred’ and ‘profane’ – absurdly outdated and meaningless concepts both – are absent, and the entirety of the festival programme focuses on …
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This year’s Warsaw Autumn festival didn’t so much have a theme as a keyword: “clearing”. Referencing Heidegger’s use of the term (lichtung), the idea was that it “symbolises a new stage, a new opening and chance, in both the social and individual dimension. The word carries the hope that we wish to …
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One of my biggest classical music bêtes noires is the way so much significant music is allowed to be forgotten, with concert programmers snoozing on their laurels as they serve up yet another reheated season of the same old, same old. That’s especially the case where symphonies – and, more …
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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