France

Twentieth century music is at an interesting point in its history from the perspective of recordings. Contemporary music, for obvious reasons, is always the most under-represented, whereas works from the last hundred years are beginning to reach the stage where’s there’s a more meaningful range of recordings available. In the…

In an artistic context, there’s an obvious world of difference between observation, taking inspiration from and / or seeking to emulate or analogise aspects of the natural world and human culture, and critique, taking issue with and / or seeking to highlight problems arising from or endemic within those same…

In the previous part i highlighted the works heard at BEAST FEaST 2022 that went against the grain and handled their materials with gentleness. However, not surprisingly the dominant compositional attitude was one aspiring to power and heft. Though unassumingly titled, Helena Gough‘s Yolk featured an almost flamboyant display of…

Even at the first concert of the first day of Borealis 2022, i was realising how much the festival felt different from the norm. i go to a lot of festivals (notwithstanding the upheavals of the last two years), and for the most part, aside from cultural distinctions, they’re all…

i’m really not a conductor fanboy. Composers are always getting me excited; performers too, from time to time; but conductors, in general, not so much. There are some special cases: Bernard Haitink and Riccardo Chailly have both stunned me on countless occasions; i’ve always had a lot of time for…

The next freely-available music i want to explore in this series is by Man:Sha, an artist whose work suggests them to be Japanese, and based in France. i’ve not been able to find out any meaningful additional information about them, and only discovered their work in the first place due…

Today’s Advent Calendar work is another fascinating miniature oddity. Maurice Ravel composed Frontispice – his shortest work, consisting of just 15 bars – in June 1918. It was commissioned by the writer and poet Ricciotto Canudo, intended to act as a preface to Canudo’s S.P. 503, Le Poème du Vardar,…

Tipping my hat to the fact that this time of year still has, for some people, a connection to things religious, behind today’s Advent Calendar door is a piece from surely the largest cycle of liturgical music ever composed. There are some composers whose music i could write about practically…

In addition to the soundwalks, installations, music theatre, performance art and electroacoustic shenanigans, Ultima 2021 also had its fair share of more conventional ensemble concerts, which took place in two Oslo churches. The beautiful Tøyen Kirke played host to two of Norway’s most prominent new music ensembles, asamisimasa and Cikada.

Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting…

For the next work in this year’s nature-themed Lent Series i’m turning to not so much a fully-fleshed, self-contained composition, but something of a miniature curiosity, an outtake saved from the cutting-room floor that’s subsequently been restored. Olivier Messiaen‘s final orchestral work, Éclairs sur l’Au-Delà…, completed in 1991, was a…

As was the case at last year’s festival, most of the concerts at Forum Wallis 2020 focused on works for ensemble. However, while in 2019 the majority of performances involved larger numbers of players, due to the pandemic almost all of the pieces this year were for small chamber groupings,…