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France

  • FestivalsPremières

    Borealis 2022 (Part 1)

    by 5:4 March 31, 2022 • 14:48
    March 31, 2022 • 14:48

    Even at the first concert of the first day of Borealis 2022, i was realising how much the festival felt different from the norm. i go to a lot of festivals (notwithstanding the upheavals of the last two years), and for the most part, aside from cultural distinctions, they’re all…

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  • 20th CenturyCD/Digital releases

    Michael Gielen Edition Vol. 10: Music after 1945

    by 5:4 February 18, 2022 • 13:21
    February 18, 2022 • 13:21

    i’m really not a conductor fanboy. Composers are always getting me excited; performers too, from time to time; but conductors, in general, not so much. There are some special cases: Bernard Haitink and Riccardo Chailly have both stunned me on countless occasions; i’ve always had a lot of time for…

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  • CD/Digital releasesFree music

    Man:Sha – Kakugo / 覚悟; Moon Eater / 鮮綠色龍

    by 5:4 January 21, 2022 • 15:10
    January 21, 2022 • 15:10

    The next freely-available music i want to explore in this series is by Man:Sha, an artist whose work suggests them to be Japanese, and based in France. i’ve not been able to find out any meaningful additional information about them, and only discovered their work in the first place due…

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  • Advent CalendarPremières

    Maurice Ravel (arr. Boulez) – Frontispice (UK Première)

    by 5:4 December 18, 2021 • 05:00
    December 18, 2021 • 05:00

    Today’s Advent Calendar work is another fascinating miniature oddity. Maurice Ravel composed Frontispice – his shortest work, consisting of just 15 bars – in June 1918. It was commissioned by the writer and poet Ricciotto Canudo, intended to act as a preface to Canudo’s S.P. 503, Le Poème du Vardar,…

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  • Advent Calendar

    Charles Tournemire – Paraphrase-Carillon

    by 5:4 December 8, 2021 • 05:00
    December 8, 2021 • 05:00

    Tipping my hat to the fact that this time of year still has, for some people, a connection to things religious, behind today’s Advent Calendar door is a piece from surely the largest cycle of liturgical music ever composed. There are some composers whose music i could write about practically…

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  • ConcertsFestivalsPremières

    Ultima 2021 (Part 3)

    by 5:4 October 4, 2021 • 15:59
    October 4, 2021 • 15:59

    In addition to the soundwalks, installations, music theatre, performance art and electroacoustic shenanigans, Ultima 2021 also had its fair share of more conventional ensemble concerts, which took place in two Oslo churches. The beautiful Tøyen Kirke played host to two of Norway’s most prominent new music ensembles, asamisimasa and Cikada.

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  • FestivalsPremières

    Baltic Music Days 2021, Estonia (Part 2)

    by 5:4 June 2, 2021 • 05:00
    June 2, 2021 • 05:00

    Despite its name, it’s important to note that not everything performed at this year’s inaugural Baltic Music Days originated in the Baltic (though all of the performers did). Among the most striking of the international pieces was Spur by Austrian composer Beat Furrer. Composed in 1998, it was especially interesting…

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  • Lent SeriesPremières

    Olivier Messiaen – Un oiseau des arbres de Vie (Oiseau tui) (World Première)

    by 5:4 March 25, 2021 • 05:00
    March 25, 2021 • 05:00

    For the next work in this year’s nature-themed Lent Series i’m turning to not so much a fully-fleshed, self-contained composition, but something of a miniature curiosity, an outtake saved from the cutting-room floor that’s subsequently been restored. Olivier Messiaen‘s final orchestral work, Éclairs sur l’Au-Delà…, completed in 1991, was a…

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  • ConcertsFestivalsPremières

    Forum Wallis 2020 (Part 2)

    by 5:4 August 24, 2020 • 16:37
    August 24, 2020 • 16:37

    As was the case at last year’s festival, most of the concerts at Forum Wallis 2020 focused on works for ensemble. However, while in 2019 the majority of performances involved larger numbers of players, due to the pandemic almost all of the pieces this year were for small chamber groupings,…

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  • AnniversariesPremières

    Éliane Radigue – Occam Delta XV (UK Première)

    by 5:4 January 26, 2020 • 06:00
    January 26, 2020 • 06:00

    To conclude my Éliane Radigue birthday weekend, i’m returning to a work in the Occam series that i’ve briefly written about previously, Occam Delta XV. The piece dates from 2018 and results from a collaboration between Radigue and Quatuor Bozzini. In a way that i hope isn’t too fanciful, the overall…

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  • Anniversaries

    Éliane Radigue – Occam XXI

    by 5:4 January 25, 2020 • 06:00
    January 25, 2020 • 06:00

    The second of the three works i’m exploring in this Éliane Radigue birthday long weekend is also the most austere. Not only is Occam XXI for a single instrument, violin, but also in contrast to perhaps the majority of the Occam series, the harmonic language of the piece is radically…

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  • AnniversariesPremières

    Éliane Radigue – Occam River XV (World Première)

    by 5:4 January 24, 2020 • 11:30
    January 24, 2020 • 11:30

    A composer whose work i return to more often than most – and find the experience completely different every time i do – is Éliane Radigue. Today is the grande dame’s 88th birthday – joyeux anniversaire! – so, as i did a few years ago, i’m going to devote another…

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  • Thematic series

    Éliane Radigue – Occam XVII

    by 5:4 December 24, 2019 • 05:00
    December 24, 2019 • 05:00

    For the penultimate work in my week-long journey into winter, i’m again turning away from festive music to a piece that continues my preoccupation with the season’s prevailing darkness. Not that the work in question, Éliane Radigue‘s Occam XVII for double bass, has darkness as its theme; her Occam series…

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  • ConcertsFestivalsPremières

    HCMF 2019 (Part 1)

    by 5:4 November 27, 2019 • 15:58
    November 27, 2019 • 15:58

    Last week i was able to catch a couple of days of the shenanigans going on at this year’s Huddersfield Contemporary Music Festival. It was strange not to be doing my usual thing of setting up camp for the whole shebang, but quite apart from it being better than nothing,…

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  • ConcertsFestivalsPremières

    Only Connect 2019 (Part 2)

    by 5:4 May 31, 2019 • 15:18
    May 31, 2019 • 15:18

    The lack of ostentation in most of the music at this year’s Only Connect festival was perhaps nowhere more conspicuous than in a concert last Saturday devoted to French composer Pascale Criton. Performed by violinist Silvia Tarozzi, cellist Deborah Walker and singers Stine Janvin Joh, Signe Irene Stangborli Time and…

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  • 20th CenturyCD/Digital releases

    all that dust: music by Morton Feldman, Matthew Shlomowitz, Séverine Ballon, Milton Babbitt and Luigi Nono

    by 5:4 October 12, 2018 • 11:57
    October 12, 2018 • 11:57

    The launching of a new label devoted to contemporary music is something to celebrate, and the newest kid on the block is all that dust, the brainchild of composer Newton Armstrong, soprano Juliet Fraser and pianist Mark Knoop. The label’s first five releases have recently appeared, and there are a…

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  • FestivalsPremières

    Proms 2018: Ēriks Ešenvalds – Shadow; Eve Risser – Furakèla (World Premières); Andrew Norman – Spiral (UK Première)

    by 5:4 July 31, 2018 • 16:02
    July 31, 2018 • 16:02

    A piece doesn’t have to be – in fact, can hardly be – all things to all people, but in the case of Shadow, by Latvian composer Ēriks Ešenvalds‘, one has to wonder if it has much if anything to offer a mature listener. This in itself is interesting precisely because…

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  • FestivalsPremières

    Proms 2017: Missy Mazzoli – Sinfonia (for Orbiting Spheres) (European Première); Catherine Lamb – Prisma Interius V; Emilie Levienaise-Farrouch – The Minutes (World Premières)

    by 5:4 September 7, 2017 • 19:39
    September 7, 2017 • 19:39

    The last three Proms premières, though very different in some respects, shared some important things in common. All of them, Sinfonia (for Orbiting Spheres) by Missy Mazzoli, Prisma Interius V by Catherine Lamb and The Minutes by Emilie Levienaise-Farrouch, eschew silence and focus primarily on harmonic movement – or, more specifically,…

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  • FestivalsPremières

    Proms 2017: Laurent Durupt – Grids for Greed (World Première)

    by 5:4 July 26, 2017 • 12:31
    July 26, 2017 • 12:31

    Last Sunday afternoon, French composer Laurent Durupt‘s new work Grids for Greed was given its first performance by the Van Kuijk Quartet at the second Proms Chamber Music concert, in Cadogan Hall. In his answers to my pre-première questions, Durupt made two remarks that are clearly most important to the…

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  • FestivalsInterviews

    Proms 2017: pre-première questions with Laurent Durupt

    by 5:4 July 24, 2017 • 05:00
    July 24, 2017 • 05:00

    This afternoon, at the second Proms Chamber Music concert at Cadogan Hall, French composer Laurent Durupt‘s first string quartet, Grids for Greed, will receive its world première by the Van Kuijk Quartet. Durupt is a composer new to me, so his answers to my pre-première questions are a useful starting point…

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5:4
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