Kristine Tjøgersen

There were a couple of occasions last year when i commented on the potential hit-or-miss quality of portrait albums, in relation to the music of Bára Gísladóttir and Rolf Wallin. i’ve been reflecting on this further while listening to four other recent portrait discs, which i’ll be exploring in the …

Despite the fact that in recent years my general feeling about the Huddersfield Contemporary Music Festival is that it’s become over-familiar and rather predictable – perhaps in need of a fresh start / reboot – my experience during the opening weekend of this year’s HCMF was genuinely unexpected: music that …

The experience of Christina Kubisch‘s electromagnetic walk around Oslo’s library had a counterpart in her new vocal work, Strømsanger (“electrical singers”), premièred by Trondheim Voices. The piece originated in the electromagnetic sounds made by Trondheim’s tram system; these became the basis for transcriptions that Kubisch developed further. Lasting around 40 …

Oslo’s annual contemporary music festival Ultima is currently in something of a transition, between outgoing artistic director Thorbjørn Tønder Hansen and incoming Heloisa Amaral, who took the helm in February this year. On the one hand, what i experienced during my three days there was broadly comparable to previous years, …

Even at the first concert of the first day of Borealis 2022, i was realising how much the festival felt different from the norm. i go to a lot of festivals (notwithstanding the upheavals of the last two years), and for the most part, aside from cultural distinctions, they’re all …