Chelsea Wolfe

Mixtape #58 : Virus

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Sometimes deciding a theme for a mixtape can be a time-consuming business – but not this time. If anything, not making viruses the theme for the new 5:4 mixtape would just feel like being wilfully contrary. So – a couple of weeks earlier than scheduled – here it is, a tour through some of my favourites that feel more than a little pertinent to the remarkable times we’re currently experiencing. Not surprisingly with a topic such as this, a lot of the music is serious in tone, though the way this is articulated varies widely. Many explore a quiet, often unsettlingly (in)tense simmering (Nine Inch NailsJohn Oswald, Bass CommunionVykintas Baltakas, The Noisettes, Angelo Badalamenti & David Lynch), occasionally featuring hot surges (Brian McOmber, Cat Temper, Ramin Djawadi, SaffronKeira, Toru Takemitsu, Necro Deathmort, Andrew Liles, Daphne Oram, Paul Haslinger). Some go beyond these limitations into ferocious incandescence (Man Without Country, Pan Sonic, Si Begg, Reza Solatipour), the complete opposite, eerie calm (Coleclough & Murmer, Ulrich Schnauss, Justin Hurwitz), or pounding, edgy regularity (Joseph Trapanese, Aria Prayogi & Fajar Yuskemal, Picture Palace Music). The rest channel their sentiments into fierce, forthright vocals (Björk, Chelsea Wolfe, Crystal Castles, Moderat, Lydia Lunch, Cabaret Voltaire, Hecq with Nongenetic). A short jingle from Raymond Scott is a closing tongue-in-cheek moment that i hope is forgivable in these trying circumstances.

Two hours of pandemically-related tracks and tropes that are, in a multitude of ways and in the absolute best sense, highly infectious and hard to shake off. Below is the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud.

These are difficult times we’re living through at the moment. i sincerely hope you’re all keeping as safe, fit and healthy as you can, and that you’re taking advantage of any imposed isolation or downtime to explore lots of new music. Best wishes to all of you, wherever you are. Read more

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Mixtape #57 : Best Albums of 2019

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Happy New Year!

i want to start this year by expressing my heartfelt thanks to all of you who have followed and supported 5:4 in the last year, particularly my delectable band of Patrons. Hot on the heels of my Best Albums of 2019 list, i’m beginning 2020 with the usual mixtape comprising selections from each of those 40 albums. It rather nicely encapsulates another year of breathtaking musical imagination and ingenuity, exploring a typically eclectic range of styles, attitudes and aesthetics.

Here’s the tracklisting in full, together with the start time for each track in the mix; links to obtain the music can be found in the previous two days’ articles. As usual, the mixtape can be downloaded or streamed. Read more

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Best Albums of 2019 (Part 1)

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With only a couple of days left until 2019 comes to an end, it’s that time once again to take stock and celebrate the great and the good albums that have been tickling my eardrums in the most beguiling way this year. Just before that, though, it’s perhaps worth stating the rules that determine whether or not something is eligible to appear in this list:

  1. No reissues, re-recordings (including live concert recordings) or releases that are not widely available can be featured on the list – though limited editions are generally allowed.
  2. A composer, artist, performer, ensemble or group may only appear once on the list in the same capacity (i.e. a soloist can appear more than once if also performing as part of a group or ensemble; a composer can appear more than once if featured on, for example, a portrait disc and a compilation).
  3. The definition of an ‘album’ is determined not primarily by its duration but the nature of its content. However, in general, to qualify for the list a release should be of at least 20 minutes’ duration.
  4. No recordings or arrangements of music composed prior to the 20th Century can be featured on the list – unless there’s a very good reason for doing so.

Right, now that that’s out of the way, here’s the first part of my round-up of the 40 Best Albums of 2019; each and every one of them in their own unique way will make your life a bit better – and give your ears one hell of a thrill.
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Mixtape #41 : Best Albums of 2017

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HAPPY NEW YEAR!!

As of today, 5:4 is ten years old, so first of all i want to say an enormous thank you to all of you who have read, commented, enjoyed, shared and supported this blog over the last decade, especially to my merry band of patrons. As this is a special year for 5:4, i’ve planned some exciting things for the next twelve months, all of which will be revealed in due course.

Meanwhile, i’m starting the year in traditional fashion, with a new mixtape featuring something from each and every album in my Best of 2017 list. It’s typically eclectic and non-partisan, and while in many respects last year may have left a lot to be desired, musically speaking this mix does at least prove that there was a great deal to consider and celebrate. Links to buy each of the albums can be found in the previous two days’ articles.

The mixtape can be downloaded or streamed via MixCloud as usual. Here’s the tracklisting in full: Read more

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Best Albums of 2017 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

i started last year’s Best Albums of the Year list  concerned about whether or not such lists were a good, viable or indeed practical idea. This year finds me with no such reservations: lists are fun, lists are informative and inspirational, lists are just cool, dammit, and above all this particular list – in spite of its unavoidably provisional nature – is a great way to celebrate the most implausibly wonderful sounds that have entered my ears during the last 12 months.

In compiling this list, standard 5:4 rules (which i don’t think i’ve ever shared) apply: a composer or artist can only appear once, and reissues or re-recordings aren’t allowed, so the 35th Anniversary expanded edition of John Williams’ score for E.T. the Extra-Terrestrial, Kraftwerk’s 3-D The Catalogue and Jasun Martz’s Solo Exhibition: The Pillory, all of which would otherwise have appeared in my top 40, have been excluded. Also – and this was an eleventh hour decision – i haven’t included Brian Eno’s Sisters; whereas it’s a truly outstanding example of modern ambient that lives up entirely to Eno’s original ethos while making it sound fresh and new (or, more accurately, demonstrating how it never stopped having the potential to be fresh), it wasn’t a widely available release, given away to a select number of people who had bought Eno’s Reflection app, and only for a limited time. One hopes Sisters might see a proper release at some point, as it really is stunning. So bearing in mind these personal peccadilloes, here’s the first part of my round up of the year’s 40 best albums. Read more

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Mixtape #35 : Moon

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Taking inspiration from the lunar events at the start of this week, the new 5:4 mixtape is devoted to music related to the moon. i’ve crammed it with a veritable shed-load of personal favourites, small and great, old and new. The mix encompasses a broad spectrum, from the kind of soft delicacy heard in pieces by Toshio Hosokawa, Tor Lundvall, Pram, Alva Noto & Ryuichi Sakamoto, Implex Grace, Sunken Foal, Andrew Liles, Aun and The Noisettes to more abrasive expression in works by First Human Ferro, Philippe Petit (& Friends), Paul Dolden, John Williams and Chelsea Wolfe. Wolfe’s is one of a number of moon-related songs featured in the mix, alongside the very lovely Cemeteries (with one of my favourite tracks of 2015), Betty Ween, Radiohead and—heard in a miniature epic of gorgeous proportions—Julia Holter. The timebound yet timeless Johnny Howard Orchestra adds a bit of froth, immediately followed by its more sour hauntological answer courtesy of The Caretaker; Ochre and some vintage Multiplex bring a bit of play to the proceedings, while Eric Serra adds a brief note of cinematic grandeur and Natasha Barrett dives into a strange but exquisitely light soundscape. A sumptuous bit of nocturnalism from Richard Strauss acts as a coda, leading into the night proper via Chris Watson. Serving as structural markers throughout are the four parts of Harry Partch‘s hilariously mental Ring Around the Moon. Lycanthropes might want to give this particular mix a miss.

A little under two hours of sound from the lunatic fringe; here’s the tracklisting in full. If you enjoy the mix, there are links below to buy the music. Read more

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