The other day, almost literally apropos of nothing, i found myself listening to Toni Braxton’s 1996 song ‘Un-break My Heart’ (i’d like to say i got there sideways from listening to Anthony Braxton, but that’s not true). Written by Diane Warren, there’s a lot to like about this song, particularly …

Where does Kilimanjaro end and Mount Fuji begin? Geographically speaking, that question is obviously absurd, but in relation to the Darkjazz Ensemble of one and the Doomjazz Corporation of the other, the relationship is more complex. Beginning in the mid-noughties, The Kilimanjaro Darkjazz Ensemble – a group with shifting membership …

This morning i’m setting off for a few days in Berlin, where i’ll be checking out the long-awaited reunion concert by The Kilimanjaro Darkjazz Ensemble / Mount Fuji Doomjazz Corporation at the Lido on Friday night, and also recording the equally long-awaited next 5:4 Dialogue over the weekend. Back next …

The good people at Seismograf – one of the few really interesting sources discussing new music these days, and pretty much the only one i read – asked me recently to contribute to their “Would you like to see my playlist?” series. It’s recently been published, and i thought i’d …

i’ve recently returned from four days in Estonia, where i spent my time exploring the music of two figures, both of whom fall outside the strict definition of “Estonian Composer”.

A couple of months ago, when writing about this year’s World New Music Days in Portugal, i mentioned a talk by Miso Music co-founder Miguel Azguime, given during a colloquium exploring the festival’s theme Thirst for Change. i was deeply struck by the force of Azguime’s words, which i found …

If you’re in the mood for something a bit left-field to liven up your summer, you could do worse than check out Aggregate, a double album featuring “new works for automated pipe organs”. i know, right? i’ve experienced my fair share of automated organ music, and it invariably tends toward …

Another year, another Grażyna Bacewicz portrait CD. CPO’s series Complete Symphonic Works, begun in 2023 and featuring the WDR Symphony Orchestra, concluded after three volumes with the wildly inaccurate claim that they’d released the lot. The BBC Symphony Orchestra’s Orchestral Works series on Chandos, also begun in 2023, has only …

Often, when i’ve written about music from the Faroe Islands, i’ve remarked on the fascinating way they make diverse genres blend and mingle. What often emerges is a unique kind of hybrid, comprising elements from prog rock, jazz, contemporary, experimental and electronic. But not always, and certainly not in the …

Today i’m setting off for a week-and-a-bit’s vacation in the Czech Republic. No festivals, no concerts, all holiday. See you on the other side.

i started smiling even before i started listening. There’s playful and there’s joyful – and then there’s actual play and joy. To spend time with Alex Paxton‘s music is to enter a soundworld that’s all about the latter. It’s a world where the idea of being embarrassed, reserved, sensible or …

Alongside chamber and electroacoustic music, the 2025 World New Music Days included a diverse range of ensemble and orchestral works.

The 2025 World New Music Days included a healthy amount of electronic and electroacoustic music. Interestingly, most of the best of them were individual submissions, not part of any country’s official selection. i’m not entirely sure what that signifies, but it’s worth noting. All of these works were performed in …

Self-knowledge is an ongoing, never-ending thing, isn’t it? The other evening i was streaming a performance of Messiaen’s Turangalîla-Symphonie on the Berlin Philharmonic Digital Concert Hall, and became increasingly aware of the extent to which this particular piece not only shaped me as a musician, but also revealed aspects of …

It’s always good to hear new music from Birmingham composer James Dooley, aka Formuls. He’s recently put out two releases that are essentially siblings. It’s been a while (too long) since i last wrote about Dooley’s work, but on that occasion i was exploring music that sat in various levels …

The World New Music Days features a wide variety of instrumental combinations, but the majority of music performed at this year’s festival were chamber works. Some of these fell within a trio of “extraordinário” concerts, each focused on a solo instrument, clarinet, cello and saxophone.

My first impression of Toivo Tulev, established nearly a decade ago during my first few sojourns to Estonia, was of a composer whose language was one of polarised extremes. The more i’ve got to know his music over the years, the more that first impression has been confirmed: Tulev’s is …

Contemporary music festivals often feel the need to impose a theme on the proceedings, but in the case of this year’s World New Music Days, hosted in Portugal, it was less a theme than a rallying cry. “Thirst for Change” was the phrase hanging over the festival, though as with …

Hot on the heels of the recent Estonian Music Days, there have been several interesting new releases of Estonian music. Among them is a new recording of Violin Concerto No. 2 “Angel’s Share” by one of the country’s most accessible composers, Erkki-Sven Tüür, featuring soloist Hans Christian Aavik with the …

This afternoon i’m packing my bags for Portugal, where i’ll be throwing myself into the non-stop sonic overload that is the World New Music Days, flitting between Lisbon and Porto. This is one of contemporary music’s most engrossing and exhausting festivals, so all being well i’ll make it through all …