[…] there have been some interesting releases of Estonian music in the last few months. In February, i wrote about the Ninth Symphony by one of the country’s most dynamic composers, Erkki-Sven Tüür, so it’s nice timing […]
[…] unleashing energy, and while his more recent work – such as the epic Ninth Symphony about which i wrote in January – has tended to channel this through nuanced narrative structures, in the case of the […]
[…] couple of years ago i wrote about the world première of Erkki-Sven Tüür‘s Symphony No. 9, subtitled ‘Mythos’. It was a fantastic performance of what turned out to be a […]
[…] i discussed at length in my review of the symphony’s première in 2018, in keeping with the evolution of Tüür’s symphonic language, there is again a strong […]
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[…] there have been some interesting releases of Estonian music in the last few months. In February, i wrote about the Ninth Symphony by one of the country’s most dynamic composers, Erkki-Sven Tüür, so it’s nice timing […]
[…] unleashing energy, and while his more recent work – such as the epic Ninth Symphony about which i wrote in January – has tended to channel this through nuanced narrative structures, in the case of the […]
[…] couple of years ago i wrote about the world première of Erkki-Sven Tüür‘s Symphony No. 9, subtitled ‘Mythos’. It was a fantastic performance of what turned out to be a […]
[…] i discussed at length in my review of the symphony’s première in 2018, in keeping with the evolution of Tüür’s symphonic language, there is again a strong […]