[…] being something actively articulated and ultimately earned by the music. i found myself remembering Gunnar Karel Másson’s exploration of the same words in his excellent cycle Songs of Violence, and wishing Robertson had captured something of that […]
[…] ómleikar / Scent & Soundgames, a work for voice, piano and electronics that i heard at the 2022 Dark Music Days. To some extent it’s even more elusive than Þyrpingar, placing the voice together with noise […]
[…] being something actively articulated and ultimately earned by the music. i found myself remembering Gunnar Karel Másson’s exploration of the same words in his excellent cycle Songs of Violence, and wishing Robertson had captured something of that […]
[…] ómleikar / Scent & Soundgames, a work for voice, piano and electronics that i heard at the 2022 Dark Music Days. To some extent it’s even more elusive than Þyrpingar, placing the voice together with noise […]