choir

Several events that i’d had high hopes for at this year’s World New Music Days turned out to be disappointingly underwhelming. Among them was the concert given by Danish choir ARS NOVA which, overall, featured surprisingly unadventurous repertoire, mostly standard text settings with almost nothing really exploring the voice as …

Two of the events at this year’s Baltic & Estonian Music Days were especially memorable. The first was given by one of the finest choirs in the world, the Estonian Philharmonic Chamber Choir. Conducted by Mai Simson in the somewhat simple, functional interior of Tartu’s otherwise imposing St Paul’s Church, …

Sacrum Profanum is a festival that has taken place in Kraków, Poland, since 2003. As its name suggests, the original purpose of the festival was to juxtapose sacred and secular music, from the 18th and 19th centuries, but since 2008 it’s been focused on music from the 20th and 21st …

i want to say a few words about Valentin Silvestrov‘s Requiem für Larissa, which was actually released last autumn, but has only recently found its way into my ears. Perhaps there’s never been a more apposite time for a Ukrainian Requiem. Composed in 1999, the piece is as deeply personal …

Today marks the 100th anniversary of the birth of György Ligeti, one of the 20th century’s most significant and consistently engaging composers. i’ve been spending time lately with three new releases that together present an excellent overview of Ligeti’s output, from the perspectives of his music for piano, choir and …

Today’s featured work is one for the southern hemisphere, now entering its warmest months of the year. Composed in 1991, Lithuanian composer Onutė Narbutaitė‘s Vasara is a miniature choral homage to the season of summer. The words, written by the composer, have a nostalgic flavour, looking back at the experiences …

For those of a Catholic persuasion, today is one of the days devoted to Mary in the liturgical calendar, so it’s as good a time as any to feature in my Advent Calendar a setting of Ave Maria by Estonian composer Tõnis Kaumann. A few years ago i explored Kaumann’s …

Last night’s Prom was a monarchist’s paradise, waxing lyrical in the Queen’s platinum jubilee year with an evening of music composed for royal occasions. Nestling among all the sonic bowing and scraping and forelock-tugging from the usual early 20th century shower was a short new choral work from Cheryl Frances-Hoad, …

As an appendix to my coverage of this year’s Estonian Music Days, i want to highlight three new anthologies of Estonian contemporary music. Focusing on chamber, choral and orchestral music respectively, and featuring a diverse collection of ensembles and vocal groups, they complement and expand upon a previous series of …

The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist …

Postponed from its usual position in late January to early March due to last-minute Covid restriction shenanigans, Iceland’s Dark Music Days festival was therefore not quite so dark as usual. All the same, it was hardly the Light Music Days, and in any case Mother Nature was seemingly more determined …

It’s Ash Wednesday, the traditional first day of Lent, so it’s time for my annual 5:4 Lent Series. Last year, i took nature as my theme as something of an antidote to the fact that, at the time, being able to travel and explore the natural world was difficult if …

i wish i could remember how i first came into contact with African Sanctus. All i can be certain of is that it was at least 25 years ago, as i took part in a performance of the piece (being in charge of the tape part) given by Coventry Philharmonic …

A couple of days ago we crossed the threshold into winter, so for both today’s and tomorrow’s Advent Calendar pieces i’m exploring music that either invokes or evokes the cold. Invocation first, in the form of Now I’m Nowhere, a work for male voices by Lithuanian composer Justė Janulytė. Janulytė …

For today’s Advent Calendar piece i’m turning to part of a concert given by the choir Vox Clamantis. Originally formed to explore Gregorian chant, while the choir’s repertoire now encompasses ancient and modern, one of the features of their concerts is the way they’re structured as what could be called …

Behind today’s Advent Calendar door is one of the most stunning choral works i’ve heard in the last few years. i was fortunate enough to experience the first performance of Helena Tulve’s Nächtliche Gesänge [Night Songs] at the World Music Days in 2019. The two songs use texts from German …

Today’s Advent Calendar offering is an unusual setting of the familiar evening canticles by British composer Judith Bingham. The Anglican service of Choral Evensong is one of the driest and dustiest places for new music to exist in, but whereas the majority of new works written for it fully conform …

Something of an oddity behind today’s Advent Calendar door, and a real rarity too. Some decades ago, US composer Stephen Montague, who had developed a close relationship with John Cage, had asked Cage for a piano piece. Nothing came of this until 1990 when, in Montague’s words, He borrowed a …

Today’s Advent Calendar featured work is a choral piece i’ve returned to many, many times since first hearing it in 2018, at the Estonian Music Days. Gerta Raidma‘s je suis sets a text of her own devising, words that are achingly personal and intimate, mingling fragility and disorientation with faint …

More Proms premières, more demands that composers must ‘respond’ to existing music. Perhaps by now the Proms organisers regard this approach as an integral, even defining, part of its commissioning strategy, but it demonstrates a complete lack of faith and trust in composers to forge their own unique conceptions from …