20th Century

Following on from his first three symphonies, in the mid-1950s Allan Pettersson’s compositional interest returned to strings, writing two more concertos, one small, one large.

Having spent a little over a decade exploring chamber and vocal music, from 1951 onward the trajectory of Allan Pettersson’s compositional journey changed, and changed permanently. In a similar way to Mahler, as soon as Pettersson began work on his first symphony, in 1951, it evidently became clear to him …

Concerto No. 1 for Violin and String Quartet (1949) Arriving at Allan Pettersson’s first violin concerto comes as something of a shock. On the one hand, it continues the composer’s focus on chamber music that dates back to his earliest pieces, as well as his exploration of counterpoint, which was …

In the second part of this year’s Lent Series, focusing on the recently released BIS Complete Edition of Allan Petterson’s music, i’m continuing to explore the earliest compositions, which include his first large-scale work.

About a year-and-a-half ago, in the summer of 2022, i emailed the Swedish label BIS to ask whether they might at some point box up all of their individual releases of Allan Pettersson‘s symphonies. (At the time i was immersed in the box set released by CPO, featuring all of …

A composer i’ve been trying to get the measure of lately is Grażyna Bacewicz. Bacewicz died in 1969, but her output seems to be going through something of a rediscovery of late, with concert performances and new recordings now emerging with increasing regularity. It’s a generalisation, i know, but over …

Today marks the 100th anniversary of the birth of György Ligeti, one of the 20th century’s most significant and consistently engaging composers. i’ve been spending time lately with three new releases that together present an excellent overview of Ligeti’s output, from the perspectives of his music for piano, choir and …

110 years ago today, something extraordinary took place in Berlin. During the previous few years, the young Danish composer Rued Langgaard had been working on his first symphony. He began it in early 1908, at the age of 14, and completed it the following year, though he continued revising the …

i headed up the M5 to Birmingham last Sunday for a concert given by the CBSO Youth Orchestra at Symphony Hall. For many people in the audience, i suppose the highlight would have been two works by Berlioz: the concert opened with the Roman Carnival Overture and closed with the …

For this year’s Lent Series i’m turning to a subject that’s one of my personal passions: symphonies. It’s interesting to hear how the word ‘symphony’ has, over time, been defined, consolidated, expanded, elevated, deconstructed, redefined, and along the way become sufficiently loaded that many contemporary composers choose to avoid both …

Twentieth century music is at an interesting point in its history from the perspective of recordings. Contemporary music, for obvious reasons, is always the most under-represented, whereas works from the last hundred years are beginning to reach the stage where’s there’s a more meaningful range of recordings available. In the …

While the answer to the question, “What is it good for?” continues to be “Absolutely nothing!” where war is concerned, there’s a tiny sliver of comfort to be gained from the fact that the ongoing outrage perpetrated by the Russian regime has thrown a spotlight onto aspects of Ukrainian culture …

Fractuur, released in 1997, occupies an interesting position in the output of British composer John Wall, coming at a pivotal point in his approach to working with sound. On Wall’s previous album Alterstill, released two years earlier, he had created five ambitious sound sculptures, playfully constructed from samples plundered from …

A long-standing interest of mine is exploring symphonies by composers i’ve never heard of. Apropos: Tālivaldis Ķeniņš, who until relatively recently i didn’t know was one of Latvia’s foremost 20th century composers. However, Ķeniņš was arguably as much Canadian as Latvian; after Russia re-occupied Latvia during World War II, Ķeniņš …

i’m really not a conductor fanboy. Composers are always getting me excited; performers too, from time to time; but conductors, in general, not so much. There are some special cases: Bernard Haitink and Riccardo Chailly have both stunned me on countless occasions; i’ve always had a lot of time for …

Today’s Advent Calendar work is one of Webernesque miniature proportions. Composed in 1976, Howard Skempton‘s One for the Road for solo accordion is a typically strange piece, full of paradoxes. In a not dissimilar way to a more recent work like Oculus, Skempton’s material is obsessive, cycling around a single …

Tipping my hat to the fact that this time of year still has, for some people, a connection to things religious, behind today’s Advent Calendar door is a piece from surely the largest cycle of liturgical music ever composed. There are some composers whose music i could write about practically …

Something new i’m introducing this year is a 5:4 Advent Calendar. Over the next few weeks, in the run-up to the festive season, i’m going to briefly explore a collection of interesting, and in some cases neglected, musical delights. Many of them are miniatures, but one or two larger works …

This week i’ve been spending time with a couple of new albums that could each be described as being “devotional”. By that i don’t simply mean ‘religious’, although both of them are fundamentally informed by that attitude, one explicitly, the other implicitly. Listening to them has been a thought-provoking experience, …

It must have been a strange experience for anyone smitten by the music of Krzysztof Penderecki during the 1960s and early 1970s, falling in love with the bold, abrasive, raw abstract shapes and sound forms unleashed in works such as Emanations (1959), Threnody to the Victims of Hiroshima (1960), St …