Tension, climax, release. That’s not simply familiar but one of the most fundamental progressions we encounter in all forms of art. So it’s been fascinating to hear how Lithuanian composer Justina Repečkaitė sidesteps and reconfigures this most basic dramatic contour repeatedly on the first album devoted to her music, Tapestries. …
ensemble
-
-
There’s a striking image i vividly recall from when i first watched David Attenborough’s The Private Life of Plants. It featured time-lapse photography, focusing on a small, seemingly insignificant tendril lying on the ground. Through this simple act of televisual time dilation, we were able to cross the relativistic divide …
-
i’ve previously suggested that, for a while at least, use of the flute jet whistle in contemporary music ought to be subject to a lengthy moratorium, due to its excessive overuse. During some of the concerts at this year’s Estonian Music Days, i found myself wondering whether this should also …
-
It’s been a curious experience attending the Borealis festival in Bergen in recent years. i first went in 2019, and have been on a handful of occasions since, each time recalibrating my understanding of, and relationship with, everything that Borealis has tried to do and be. This year’s was of …
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
-
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
-
-
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
-
To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
