Francisco López

i’m concluding my January exploration of interesting free music with Heitsi-Eibib-Rec by Spanish sound artist Francisco López. Usually, López prefers to leave his works untitled, so Heitsi-Eibib-Rec is therefore somewhat unusual. Though the work doesn’t have an accompanying note – except to say it uses “original environmental sound matter recorded …

HAPPY NEW YEAR! i want to give a loud shout out of thanks to all of you who have supported 5:4 during the last year, especially my most excellent posse of Patrons. As always, i’m starting the new year with a look back at the best albums of 2022, in …

So here they are, crowning this year’s 5:4 Best Albums list, the most imaginative, extraordinary and downright amazing releases of 2022.

Francisco López‘s second live performance at Cafe Oto, in March 2015, makes a strong contrast to the first (featured earlier this month); where that had harnessed electronic elements largely devoid of referential qualities, this piece focuses on a juxtaposition of sounds that are clearly derived from (or intended to imitate) …

Today’s Advent Calendar piece is the first of two live, untitled performances given by Spanish sound artist Francisco López at Cafe Oto in London in March 2015. The performances were originally presented in four channels, with members of the audience invited to wear eye masks in order to plunge themselves …

Nearly 40 years have passed since Spanish sound artist Francisco López‘s earliest releases. Whatever else has changed throughout those four decades of creativity, one thing has remained consistent: his use of the word ‘Untitled’ for his output. Not always, of course, but aside from a few exceptions, López’s output has …

A little over a year ago, my spring mixtape reflected the growing state of the world by having Virus as its theme. Shortly after that, as lockdown kicked in, i switched from a quarterly to a weekly sequence of Isolation Mixtapes, supplemented with the Outside-In series exploring field recordings from …