Something i haven’t drawn attention to in this Lent Series is the fact that almost every album i’ve explored has been a debut. It’s the case with Suicide, Sakamoto, P-Model, Human League, Leer & Rental, Der Plan and Fad Gadget. John Foxx and Bill Nelson’s Red Noise clearly pick up …
Germany
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Liminal times be liminal. If there’s one thing that typifies the period i’m focusing on in this Lent Series, 1977–81, it’s the extent to which, with the proliferation of electronics, more than usually strange and wonderful things suddenly seemed to be possible. As i’ve explored previously, this led to some …
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Who’s up for some January stasis? German composer Robert Henke‘s 10-minute piece Oomoo is a beautiful demonstration of ambient stillness. It dates from late 2007, and is, according to Henke, based on “a single recording of a longer pad-sound of a Yamaha SY77 synthesizer” which “has been sampled, transposed, filtered …
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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CD/Digital releases
Erkki-Sven Tüür / Max Bruch – Violin Concertos (Hans Christian Aavik / Odense Symphony Orchestra / Gemma New)
by 5:4To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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