i’ve previously suggested that, for a while at least, use of the flute jet whistle in contemporary music ought to be subject to a lengthy moratorium, due to its excessive overuse. During some of the concerts at this year’s Estonian Music Days, i found myself wondering whether this should also …
Germany
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Something i haven’t drawn attention to in this Lent Series is the fact that almost every album i’ve explored has been a debut. It’s the case with Suicide, Sakamoto, P-Model, Human League, Leer & Rental, Der Plan and Fad Gadget. John Foxx and Bill Nelson’s Red Noise clearly pick up …
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Liminal times be liminal. If there’s one thing that typifies the period i’m focusing on in this Lent Series, 1977–81, it’s the extent to which, with the proliferation of electronics, more than usually strange and wonderful things suddenly seemed to be possible. As i’ve explored previously, this led to some …
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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CD/Digital releases
Erkki-Sven Tüür / Max Bruch – Violin Concertos (Hans Christian Aavik / Odense Symphony Orchestra / Gemma New)
by 5:4To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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