The spectre of Romanian artist Constantin Brâncuși was brought to bear on this year’s World New Music Days in Bucharest, which took as its title, ‘Columna Infinita’. Title, not theme, and the invocation of Brâncuși’s famous sculpture therefore acted more as inference than reference point. Nonetheless, both the phrase and …
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Germany
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i’ve previously suggested that, for a while at least, use of the flute jet whistle in contemporary music ought to be subject to a lengthy moratorium, due to its excessive overuse. During some of the concerts at this year’s Estonian Music Days, i found myself wondering whether this should also …
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Something i haven’t drawn attention to in this Lent Series is the fact that almost every album i’ve explored has been a debut. It’s the case with Suicide, Sakamoto, P-Model, Human League, Leer & Rental, Der Plan and Fad Gadget. John Foxx and Bill Nelson’s Red Noise clearly pick up …
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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CD/Digital releases
Erkki-Sven Tüür / Max Bruch – Violin Concertos (Hans Christian Aavik / Odense Symphony Orchestra / Gemma New)
by 5:4To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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To view this content, you must be a member of Simon Cummings’s Patreon at £5 or more
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