Of the larger-scale performances at HCMF 2025, the most qualitatively challenged was that given by the London Sinfonietta, conducted by Geoffrey Paterson. Laurence Osborn‘s Mute just sounded like early ’90s Thomas Adès, pointlessly rehashed three decades later, also demonstrating how the Faberian sound is not so much alive and (for …
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Žibuoklė Martinaitytė
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Most festivals go out of their way these days to jam-pack their weekends with all the best stuff, and that was certainly case at this year’s Huddersfield Contemporary Music Festival. There was so much to enjoy during the opening weekend it felt as if it lasted longer than just a …
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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