Körper; body – it’s kind of surprising that it took German composer Enno Poppe until 2021 to give that title to one of his compositions. In the course of his career, Poppe has established himself as the ensemble composer par excellence; a composer for whom the ensemble, the group, the …

Of the larger-scale performances at HCMF 2025, the most qualitatively challenged was that given by the London Sinfonietta, conducted by Geoffrey Paterson. Laurence Osborn‘s Mute just sounded like early ’90s Thomas Adès, pointlessly rehashed three decades later, also demonstrating how the Faberian sound is not so much alive and (for …

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To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more

To view this content, you must be a member of Simon’s Patreon at £5 or more