Postponed from its usual position in late January to early March due to last-minute Covid restriction shenanigans, Iceland’s Dark Music Days festival was therefore not quite so dark as usual. All the same, it was hardly the Light Music Days, and in any case Mother Nature was seemingly more determined…

For the next work in this year’s 5:4 Lent Series, i’m turning to a work for oboe and three organs by Estonian composer Lauri Jõeleht. A Prayer in Darkness dates from 2017, and its title is drawn from an eponymous poem by G. K. Chesterton, the final verse of which…

For the next work in this year’s Lent Series, i’m turning to the uniquely haunting melancholy sound of the brass band. In 2014, i wrote about Gavin Higgins‘ Three Broken Love Songs, and his more recent work Sadly Now the Throstle Sings explores the same subject matter. The title comes…

It’s Ash Wednesday, the traditional first day of Lent, so it’s time for my annual 5:4 Lent Series. Last year, i took nature as my theme as something of an antidote to the fact that, at the time, being able to travel and explore the natural world was difficult if…

This morning i’m setting off for a week and a bit in Iceland, attending the Dark Music Days festival. In my absence – starting on Wednesday – this year’s Lent Series will begin (so only half a fermata this time); words to follow about all the goings-on in Reykjavík once…

i feel like i’m emerging from a bomb shelter. For the last two days i’ve been immersed in the Golden Dolden Box Set, a huge self-released compilation by Canadian composer Paul Dolden. Usually, the task of retrospective falls to curators and writers, but in the case of this box set,…

i’m really not a conductor fanboy. Composers are always getting me excited; performers too, from time to time; but conductors, in general, not so much. There are some special cases: Bernard Haitink and Riccardo Chailly have both stunned me on countless occasions; i’ve always had a lot of time for…

It’s tempting to hope that 2022 might finally bring an end to the widespread disruption that has plagued concerts and festivals for the last two years. With that optimism in mind, there are some interesting events to look forward to in the coming weeks.

It’s just over a decade since Spanish label Neu Records was established, and as i’ve explored each new release from them through the intervening years, every single one has seemed not remotely like a regular album, but a special edition. That’s in no small part due to the presentation. From…

In my series of articles focusing on free music last year, i explored Nikita Golyshev‘s remarkable album 15 Songs from Glass, Oil and Other Sources. Originally released in 2007, and long since vanished from the web, at time of writing i was only able to share the MP3 version of…

Among the plethora of releases i’ve received in recent times there’s been a number of especially noteworthy items, either in the form of sizeable box sets or otherwise ‘unusual’ editions, so throughout the course of this month, alongside other things, i’ll be exploring some of them. Surely the strangest (and,…

It was in 2014 that i first discovered Canadian musician Joanne Pollock, thanks to her superb collaboration with Aaron Funk (Venetian Snares), Poemss. It’s an album i still return to regularly, due to its unique blend of disarmingly naturalistic vocals and sleek but distinctly bedroom pop-type electronica. It’s not a…

US sound artist Christopher McFall first started putting out work in 2005, on a variety of netlabels, and his output since then has consisted of a pretty equal split between CD releases and a generous quantity of free music. However, the last decade has seen McFall’s output reduce considerably: just…

i’m delighted to present the latest instalment in my occasional long-form conversation series The Dialogues. My guest this time is UK-born, Norway-based composer Natasha Barrett, whose music i’ve deeply admired for at least 20 years. Barrett is both a veteran and a pioneer of electronic music, utilising a convoluted mixture…

The next freely-available music i want to explore in this series is by Man:Sha, an artist whose work suggests them to be Japanese, and based in France. i’ve not been able to find out any meaningful additional information about them, and only discovered their work in the first place due…

i wish i could remember how i first came into contact with African Sanctus. All i can be certain of is that it was at least 25 years ago, as i took part in a performance of the piece (being in charge of the tape part) given by Coventry Philharmonic…

Despite the fact that, a few years ago, i wrote a 10,000-word monograph about the music of Kenneth Kirschner, supplemented by a 5,000-word conversation with the composer, both of which should indicate in-depth knowledge and understanding of my subject, i’m always aware of the degree to which Kirschner’s work continues…

As usual, i’m going to start the new year, in deference to the festive season’s financial repercussions, by exploring a few interesting releases that are available free online. Wolftöne is the nom de guerre for Australian musician Keith W. Clancy, whose output to date is limited but, at its best,…

Happy New Year! i want to begin 2022 by saying a bigger THANK YOU than usual to all of you who have actively supported and followed 5:4 during the last year, most of all my faithful band of Patrons. While 2021 isn’t a year i’m sorry to see the back…

Continuing where we left off, here are the best of the best of this year’s new releases, each one a fantastic album that will by turns boggle and blow your mind.