Gloria Coates

And finally we reach the zenith, the apex of this year’s best albums, each and every one of them a bewilderment of shock, awe and wonder.

In due course, when her music has finally been disseminated and explored properly, and begun to be understood, i’m convinced Gloria Coates will be revealed not only as one of the most fascinating and unique musical voices of modern times, but also as one its most prolific recyclers. In the …

This time last year I was deeply immersed in the music of Gloria Coates. preparing for the Dialogue we were planning to record in July. It still fills me with deep sadness that Gloria’s cancer got to her before we could get together, but it’s been nice to see a …

i was deeply saddened to receive a message around an hour ago, with the news that composer Gloria Coates has died. i only began to spend significant time with Gloria’s work last year, when it finally dawned on me just how fascinating and remarkable it is. This led to my …

i’m bringing this year’s Lent Series to a close with another of Gloria Coates‘ remarkable symphonies. Symphony No. 11 was completed in 1999, being a response to a commission from Baron von Freyberg for the Festspiele Europäische Wochen, with the stipulation that the work should be related to Ovid’s recounting …

Gloria Coates‘ Symphony No. 7 was composed from 1989 to 1990, a highly politically-charged time for those (as Coates was) living in Germany. The Berlin Wall would subsequently fall (on 9 November 1989), but while this promised to usher in a new era of peace, the profound uncertainty that suffused …

For this year’s Lent Series i’m turning to a subject that’s one of my personal passions: symphonies. It’s interesting to hear how the word ‘symphony’ has, over time, been defined, consolidated, expanded, elevated, deconstructed, redefined, and along the way become sufficiently loaded that many contemporary composers choose to avoid both …