Not everything i heard at Ultima 2021 was bound up in convolutions of meaning. Ryoji Ikeda‘s forays into the world of percussion (which i previously explored in 2018) are a sidestep away from his more central work in multi-layered representations and interpretations of data, instead concerned much more directly with…
installation
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The saying goes that you don’t know what you’ve got until it’s gone, but in the case of the Ultima festival in Oslo, the latter half of which i experienced last week, i don’t think i truly realised how much i’d missed contemporary music festivals until i was back in…
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As an interlude to my coverage of the 2020 Dark Music Days, I have to say something about two artworks that weren’t part of the festival but which contributed significantly to my time in Reykjavík. First is CAT 192, the product of a collaboration in 2013 by composer Hlynur Aðils…
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My recent travels in Norway – focused in and around the environs of second city Bergen – yielded plenty of jaw-droppingly splendorous landscape, but nothing in the way of contemporary music. Neither of the city’s CD stores betray any knowledge of the existence of Arne Nordheim, Maja Ratke and the…