HAPPY NEW YEAR! i want to give a loud shout out of thanks to all of you who have supported 5:4 during the last year, especially my most excellent posse of Patrons. As always, i’m starting the new year with a look back at the best albums of 2022, in …
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Juliana Hodkinson
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With 2022 poised to come to an end, it’s time once again to take a fond look back at the best albums of the year. For a reminder of the process and the rules behind the 5:4 Best Albums list, go here; and now for the music, each one of …
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i’ve crossed paths with the music of Juliana Hodkinson on a few occasions over the last few years, and they’ve always been somewhat discombobulating experiences. My response each time has been ambivalent, primarily due to the way that Hodkinson seeks to harness – and, potentially, rely upon – physical and …
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Nearly but not quite everything that took place at this year’s Borealis festival was light years away from the world of conventional concert performances. The most notable exception to this was the first event i attended, at the Nykirken on Friday evening, given by Sjøforsvarets musikkorps, the Norwegian Naval Forces …
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One of the plagues that continues to afflict most contemporary music festivals is ‘première-itis’, an acute obsession with presenting loudly-trumpeted world premières at the expense of providing opportunities for second, third or indeed nth performances. It was a relief, therefore, that this year’s Dark Music Days (which was otherwise similarly …