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5:4
Tag:

orchestra

  • PremièresRetrospectives

    The 10 Symphonies of Erkki-Sven Tüür – Part 1: Symphony No. 1

    by 5:4 October 7, 2022 • 05:00
    October 7, 2022 • 05:00

    This text is an expanded version of the article originally published (in Estonian translation) by Sirp, 16 September 2022. It’s surely true that no composers today – and very few composers historically – would give any credence whatever to the so-called “curse of the ninth”, the absurd superstition that, having …

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  • Premières

    Proms 2022: Thomas Adès – Märchentänze (UK Première)

    by 5:4 August 30, 2022 • 11:01
    August 30, 2022 • 11:01

    A few weeks back in this year’s Proms season, Sally Beamish’s Hive gave the impression that the occasion was aimed at children, and it was much the same listening to Thomas Adès‘ Märchentänze, given its UK première last Friday. Adès is such a strangely unpredictable composer, capable of extremes of …

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  • Blasts from the PastCD/Digital releases

    Blasts from the Past: Boris Lyatoshynsky – Symphonies

    by 5:4 August 23, 2022 • 10:12
    August 23, 2022 • 10:12

    While the answer to the question, “What is it good for?” continues to be “Absolutely nothing!” where war is concerned, there’s a tiny sliver of comfort to be gained from the fact that the ongoing outrage perpetrated by the Russian regime has thrown a spotlight onto aspects of Ukrainian culture …

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  • Premières

    Proms 2022: Mark-Anthony Turnage – Time Flies (UK Première)

    by 5:4 August 17, 2022 • 15:50
    August 17, 2022 • 15:50

    i’m not sure whether to interpret the Proms’ decision to place Mark-Anthony Turnage‘s new orchestral piece in a concert alongside Vaughan Williams and Elgar as an attempt to imply some kind of genteel, ‘establishment figure’ status. Yet – would that be wrong? Now in his early 60s, Turnage’s music has …

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  • Premières

    Proms 2022: Hannah Eisendle – Heliosis (UK Première)

    by 5:4 August 15, 2022 • 16:48
    August 15, 2022 • 16:48

    Does it matter if the way a composition sounds doesn’t bear any meaningful resemblance to the composer’s stated inspiration? That’s a question that often suggests itself when listening to contemporary music, and it has completely dominated my listening to Austrian composer Hannah Eisendle‘s new work Heliosis, which received its first …

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  • Premières

    Proms 2022: Anna Thorvaldsdottir – ARCHORA (World Première)

    by 5:4 August 13, 2022 • 05:00
    August 13, 2022 • 05:00

    The relationship between Anna Thorvaldsdottir‘s music and nature has always been, to put it mildly, complicated. Far from being a composer merely setting out (as far too many have claimed far too often) to evoke the wildness of her native Iceland, Thorvaldsdottir has tended to be much more concerned with …

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  • Premières

    Proms 2022: Gavin Higgins – Concerto Grosso (World Première)

    by 5:4 August 10, 2022 • 15:34
    August 10, 2022 • 15:34

    Finally. Following six premières of, to say the least, wildly varying quality, this year’s Proms season finally struck gold on Monday evening in the form of Gavin Higgins‘ new large-scale work for brass band and orchestra, Concerto Grosso. First things first: it’s a bit of an odd title, as the …

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  • Premières

    Proms 2022: Julian Anderson – Symphony No. 2 ‘Prague Panoramas’ (World Première)

    by 5:4 August 8, 2022 • 11:20
    August 8, 2022 • 11:20

    Almost exactly 10 years ago, i coined a new adjective, ‘Faberian’, in reference to Faber Music, to summarise what i later described as “the kind of thing one hears all too often in works from the more mainstream protagonists of that particular publishing house”. On that first occasion i elaborated …

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  • Premières

    Proms 2022: Hildur Guðnadóttir & Sam Slater (arr. Robert Ames) – Selections from Battlefield 2042 (European Première)

    by 5:4 August 2, 2022 • 15:59
    August 2, 2022 • 15:59

    As part of the Proms’ inexorable slide away from concert works in an attempt to remain relevant, yesterday evening’s event was given over to orchestral arrangements and reworkings of music from videogames. They included the European première (following a performance by the LA Philharmonic late last year) of Robert Ames‘ …

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  • Premières

    Proms 2022: Nicole Lizée – Blurr is the Colour of My True Love’s Eyes (European Première)

    by 5:4 August 1, 2022 • 14:31
    August 1, 2022 • 14:31

    Canadian composer Nicole Lizée‘s new percussion concerto, premièred last month in Ottowa, received its first European performance at the Proms last Friday evening. Its title, Blurr is the Colour of My True Love’s Eyes, though somewhat strange at first, perhaps suggests the two main aspects of the work. The first …

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  • Premières

    Proms 2022: Hildur Guðnadóttir – The Fact of the Matter (World Première)

    by 5:4 July 21, 2022 • 16:15
    July 21, 2022 • 16:15

    Last night’s Prom concert included the first of this year’s crop of premières. The Fact of the Matter is a 16-minute response to the current state of the world by Icelandic composer Hildur Guðnadóttir. In the pre-concert discussion, she spoke about the divisions between people, and the feeling that “we’re …

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  • CD/Digital releases

    Tālivaldis Ķeniņš – Symphonies Nos. 5 & 8

    by 5:4 May 19, 2022 • 17:01
    May 19, 2022 • 17:01

    A long-standing interest of mine is exploring symphonies by composers i’ve never heard of. Apropos: Tālivaldis Ķeniņš, who until relatively recently i didn’t know was one of Latvia’s foremost 20th century composers. However, Ķeniņš was arguably as much Canadian as Latvian; after Russia re-occupied Latvia during World War II, Ķeniņš …

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  • CD/Digital releases

    New Estonian Chamber / Choral / Orchestral Music

    by 5:4 May 16, 2022 • 16:29
    May 16, 2022 • 16:29

    As an appendix to my coverage of this year’s Estonian Music Days, i want to highlight three new anthologies of Estonian contemporary music. Focusing on chamber, choral and orchestral music respectively, and featuring a diverse collection of ensembles and vocal groups, they complement and expand upon a previous series of …

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  • FestivalsPremières

    Estonian Music Days 2022 (Part 4)

    by 5:4 May 9, 2022 • 09:52
    May 9, 2022 • 09:52

    A disconcerting aspect of some of the pieces performed at this year’s Estonian Music Days was the extent to which their material, language and / or behaviour was obviously begged, borrowed and / or stolen from heavily-worn musical conventions, to the point of outright cliché. This was especially apparent in …

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  • Lent SeriesPremières

    Helena Tulve – Lament (World Première)

    by 5:4 April 16, 2022 • 05:00
    April 16, 2022 • 05:00

    Curating this year’s Lent Series, focusing on death, grief and loss, has been something of a difficult experience. As i mentioned at the start of the series, this theme has felt unavoidable and inevitable at the moment, but at the same time works such as the ones i’ve featured, that …

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  • Lent SeriesPremières

    James MacMillan – The Keening (World Première)

    by 5:4 April 13, 2022 • 05:00
    April 13, 2022 • 05:00

    The penultimate work in this year’s Lent Series is one that ended up having to wait over a quarter of a century from the date of composition to receive its first performance. James MacMillan completed his orchestral piece The Keening in 1987, while studying for his PhD at Durham University. …

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  • Lent SeriesPremières

    Arash Yazdani – Nakba (World Première)

    by 5:4 April 9, 2022 • 16:36
    April 9, 2022 • 16:36

    The Arabic word ‘nakba’ (النكبة), which translates as “disaster” or “cataclysm”, is used to refer to the suffering, displacement and destruction wrought on the Palestinians from 1948 (with the wartime exodus) to the present day. It’s a term that has been in use right from the outset of the Israeli-Palestinian …

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  • Advent Calendar

    Harrison Birtwistle – Exody

    by 5:4 December 25, 2021 • 05:00
    December 25, 2021 • 05:00

    HAPPY HOLIDAYS! i’m bringing my Advent Calendar to a close with a piece that i’ve always shied away from writing about, even though i think it’s one of the truly great orchestral works of the 20th century. Composed in 1997, Harrison Birtwistle‘s Exody looks ahead not only to what was …

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  • Advent CalendarPremières

    Malle Maltis – Öökülm (World Première)

    by 5:4 December 24, 2021 • 05:00
    December 24, 2021 • 05:00

    Today’s Advent Calendar piece is another focused on the coldness of winter: Öökülm [night frost] for orchestra and electronics by Malle Maltis. In her programme note, Maltis speaks a lot about the destruction caused by cold, and a little about beauty. To an extent this emphasis is mirrored in the …

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  • Advent CalendarPremières

    Milica Djordjević – Čvor (World Première)

    by 5:4 December 22, 2021 • 05:00
    December 22, 2021 • 05:00

    Despite our highest hopes and expectations, 2021 hasn’t brought any resolution to the world’s ongoing swings between bouts of freedom and restriction in its attempts to mitigate the effects of Covid. i can’t help hearing something of the pent-up frustration caused by this in today’s Advent Calendar piece, Čvor by …

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Nils Henrik Asheim: Lydkilder Sound and Image: Aesthetics and Practices Music Beyond Airports: appraising ambient music Simon Cummings | 間 Studies vol. 6

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5:4
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