Before i conclude my survey of the available recordings of Rebecca Saunders‘ music, i want to flag up some omissions. There are three works that i’m not able to discuss at this point as i haven’t yet got hold of copies of the discs on which they’re featured: rubricare (2005) which …
orchestra
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Rebecca Saunders turned 50 towards the end of last year, so to mark this milestone the 5:4 Lent Series will this year be dedicated to her music. Over the course of the next six weeks, i’ll be looking at a number of her pieces in some detail, as well as …
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PremièresThematic series
Estonia in Focus weekend: Erkki-Sven Tüür – Symphony No. 9 ‘Mythos’ (World Première)
by 5:4i’m now turning my attention this weekend to Erkki-Sven Tüür, a composer whose work in many respects sounds distinctly different from a lot of Estonian contemporary music (and as i’ve previously mentioned, he remarked to me last year that he feels himself to be something of an outsider). To get …
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CD/Digital releases
Jasun Martz – A Retrospective: Non-Finito, Alchemy, Corrosion, Chroma, The Pillory, The Battle
by 5:4Another unusual release i’ve received recently came from Jasun Martz, a US musician and artist of whom i was previously unaware, but a quick search online reveals has apparently been involved in music for almost 50 years, with a variety of both classical and pop/rock connections. What i received consisted of six …
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After eight weeks of (for the most part) serious music-making, the Last Night of the Proms, quite reasonably, is primarily disposed to the aim of letting of steam and just having fun. For the contemporary composer chosen to get the evening going each year, the enormous sense of occasion – …
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The latest orchestral work by British composer Hannah Kendall received its first performance a couple of nights ago at a late night Prom given by Chineke! Orchestra, the flagship orchestra of the Chineke! Foundation, established a couple of years ago “to provide career opportunities to young Black and Minority Ethnic …
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Last night saw the second UK première by a Swedish composer at this year’s Proms, this time from Andrea Tarrodi. For those unfamiliar with her work, the key part of her responses to my pre-première questions was the reference to her parallel passion for painting, plus the related fact that …
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It’s easy to believe – even take for granted – that we ‘get’ Harrison Birtwistle. He represents a lot of things to a lot of people, but the tendency is to conflate the man and his music, mix in stereotypes drawing on his age and northern heritage, and arrive at …
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ConcertsFestivalsPremières
Cheltenham Music Festival 2017: 21st Century String Quartet, The Hallé
by 5:4Here’s a suggestion: if a composer can’t summarise their programme note in fewer than a couple of hundred words, that’s a problem. Is that terribly controversial? Judging by what we were given at the Cheltenham Music Festival last Saturday, it is. This is not a local problem, though, it’s something …
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And we’re off: the first performance of Tom Coult‘s new orchestral work St John’s Dance got the 2017 Proms season up and running last night, courtesy of the BBC Symphony Orchestra conducted by Edward Gardner. i’ve only really scratched the surface of Coult’s music, having heard two earlier works in …
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Tomorrow is the summer solstice, which technically makes today the last day of spring. To bid farewell to the season, here’s a very interesting orchestral work titled Spring by US composer Christian Wolff. Composed in 1995, Spring was Wolff’s first orchestral piece, and in it he experimented with indeterminate elements, …
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Today is Þjóðhátíðardagurinn, Iceland’s national day, celebrating their independence from Denmark and founding as a republic in 1944. Quite apart from Iceland being one of my favourite countries, its contribution to contemporary music (as seen in my recent Nordic CD review) is a challenging and imaginative one. A very good …
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For the next work in my Lent Series focusing on miniatures, i’m turning to Indonesian composer Marisa Hartanto, who studied composition as a postgrad at Royal Holloway. Her short orchestral work Rumble to the Past won the BBC’s Baroque Remixed postgraduate composing competition in 2012. The piece is a response …
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Today is Australia Day, so i’m marking the occasion with an orchestral work by one of the country’s most well-known composers, Brett Dean. Fire Music was composed in 2011 as a response to the disastrous ‘Black Saturday’ bushfires that spread across Victoria in February 2009. At least, that was the …
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Premières
Michael Pisaro – fields have ears (10) (constellation, monarch, canyon) (World Première)
by 5:4i’ve been spending time with assorted premières from last year, and among the more striking is the most recent—and, in fact, the final—addition to American composer Michael Pisaro‘s ongoing fields have ears series of works. Pisaro’s notion of the ‘field’ comprises a grid arrangement, the vertical rows corresponding to the …
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It’s been good to get back to the plethora of new releases that have have found their way to my door in recent weeks and months. While i don’t like to make spurious connections between disparate pieces of music, i’ve been fascinated at the way various composers explore the interplay …
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Quite apart from the manifold inherent issues with which the occasion has long been afflicted, the Last Night of the Proms hasn’t exactly acquitted itself with particular brilliance as far its annual opening world premières are concerned. Consider the last few years’ efforts from Eleanor Alberga, Gavin Higgins, Anna Clyne, …
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As the end of the Proms draws nigh, the new works seem to have been taking on an increasing delicacy. And, to a large extent, simplicity, Julian Anderson‘s Incantesimi taking inspiration from the orrery, a mechanical reproduction of the the solar system, showing the position and motion of its planets …
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FestivalsPremières
Proms 2016: Piers Hellawell – Wild Flow; Emily Howard – Torus (World Premières); Marlos Nobre – Kabbalah (UK Première)
by 5:4The most recent Proms premières have demonstrated particularly keenly the highly differentiated approaches being taken by this year’s crop of composers, and while some works at first glance appear to be nothing but effervescence and froth, closer examination proves otherwise. In the case of Piers Hellawell‘s new orchestral work Wild Flow, dedicated …
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A pair of paintings by Scottish artist Joan Eardley constitute the starting point of Helen Grime‘s new two-part work, premièred last week at the Proms, Two Eardley Pictures. The paintings are of the same place, the Scottish coastal village of Catterline (where Eardley lived and worked), painted from similar but subtly different viewpoints, …