There’s having your expectations met, there’s having them exceeded … and there’s this. When i first got to know Aya’s music, in 2021 with her debut album im hole (one of my best albums of that year), i was deeply impressed by the way her voice operated as something avant-vocal. …
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UK
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Of the larger-scale performances at HCMF 2025, the most qualitatively challenged was that given by the London Sinfonietta, conducted by Geoffrey Paterson. Laurence Osborn‘s Mute just sounded like early ’90s Thomas Adès, pointlessly rehashed three decades later, also demonstrating how the Faberian sound is not so much alive and (for …
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In addition to the solos and duos i discussed previously, there were various ensemble performances at this year’s Sacrum Profanum, though they were very far from being highlights, memorable for the wrong reasons. As far as Stephen O’Malley‘s You Origin was concerned, one already knew what to expect. However, to …
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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CD/Digital releases
Formuls – Disorder as a function of time (from Graz to Holycross); Obsession as a function of time (inertia)
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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CD/Digital releasesFree music
Lauren Redhead & Alistair Zaldua – San Servolo Registri Festival Concert
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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To view this content, you must be a member of Simon’s Patreon at £5 or more
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